Published on Apr 6, 1999
Perhaps the most innovative of the gangsta rap genre, the
Wu-Tang Clan have combined the mysticism of a Saturday afternoon
marathon of “Kung-Fu” with the grim reality of racism and urban
violence.
And if the phrase “strength in numbers” proves true, it is
definitely with the Wu. Because the group has so many members, they
have been able to make an impact on the music world every year
since they formed . That’s mainly due to the solo projects each
band member has released since the band’s inception.
Fortunately for casual Wu fans,
Wu-Chronicles is now available. The “best of” collection
features highlights from each of the band members’ solo outings
along with a couple unreleased tracks thrown in the mix.
The album kicks off with “4th Chamber” from one of the better
MCs of the group, Genius. Their fascination with the martial arts
is immediately evident as a sample of a martial arts movie is laid
out before a harsh, throbbing stacatto beat hits the listener.Less
talented rappers may obsess over filling every blank air space with
a relentless beat, but each member of the Wu-Tang, especially
Genius and Method Man, make effective use of silence.
Fans of the late Notorious B.I.G. a.k.a. Christopher Wallace,
will no doubt want to check out track three, “The What,” as he
trades off boasts with Method Man.
Though each member of the Wu-Tang has a chance to show off their
certain strengths by putting all their songs on one album, it
leaves the collection somewhat disjointed. With the exception of
the unreleased tracks, “Latunza Hit,” by the Wu-Syndicate and “96
Recreation (Demo) by Cappadonna, The RZA and O.D.B.,
Wu-Chronicles comes off as nothing more or less than a
nicely packaged mix tape.
Critics of the gangsta rap genre will have plenty of their
arguments reaffirmed with
Wu-Chronicles. While the musical styles may be varied, the
lyrical subjects are fairly universal. Glocks, double breasted
suits and tales of enemies taken out in a litter of gunfire litter
all the tracks on
Wu-Chronicles along with the typical misogynistic banter
associated with gangsta rap.
The only other major gripe about
Wu-Chronicles is that most of the tracks come from albums
that were more focused and realized than their last collaborative
effort,
Wu-Tang Forever. Taking them out of their context and
pasting them together with the works of another group member is
sort of like having an album full of Breeders and Frank Black
singles. It may be a decent mix to do at home, but released on a
large scale and it doesn’t quite gel.
Still, for casual fans, it’s definitely worth the purchase. If
only due to the simple realization that you’re going to bankrupt
yourself trying to buy each members’ one or two solo albums they
have released. So, pick your favorite tracks off of
Wu-Chronicles and choose your own Wu adventure.