Published on Jan 11, 2002
Spirit Nation sounds complicated. After all, the lead singer is
half Native American and half Israeli, and sings in Ojibway,
English, and Hebrew; that in and of itself makes this a rather
ambitious project with definite UN-peacekeeping-force overtones.
With something this eclectic, one is always apprehensive as to
whether the goulash of cultural references will work. On
Winter Moons, it does work, and works astonishingly
well.
Make no mistake; Spirit Nation is very much lead singer Tamara
Podemski’s project. While the backing musicianship is competent to
talented, providing an interesting synthesis of traditional,
trance, pop, and dance as background, the feature is Podemski’s
arching, intricate, razor-precise vocals. While superficially
similar to New Age etheric warblers like Enya, Podemski has more
grit and fire to her voice. The liner notes indicate that this was
envisioned as a tribute to her twin heritages, and the passion and
fire in her singing shows that she truly did mean to honor all
those who have gone before her, and better than that, succeeded in
that honoring.
Production wise,
Winter Moons is flawless. (Ah, why I like the 21st century
— the fact that there are fewer CDs that sound bad on the
recording end). The musicianship is good, albeit rarely noteworthy,
save the delicate flutework of Steve Tavaglione. Even when Podemski
doesn’t sing, such as on “Spirit Medicine”, the CD doesn’t lose
steam.
Tracks worth of note include the opening “Ododoyuniwan”, the
mixed Ojibway , Hebrew, and English of “All My Relations”, the
strong triumphant “Iroquoian Sky Woman”, and the gentle “Tipikan
(Lullaby)”. There isn’t a bad track on
Winter Moons, however; it’s solid from beginning to end.
For lovers of world music, this is one of the best things I’ve
heard in a long time, and worth the effort to search it out. Grab
Winter Moons today.