Welcome To Hell – Christopher Thelen

Welcome To Hell
Combat Records, 1981
Reviewed by Christopher Thelen
Published on Dec 30, 2000

I normally don’t like reviewing albums in MP3 format, but
sometimes that’s the only way I can get my filthy hands on an
out-of-print disc without paying through the nose for a well-worn
copy. Such is the case with
Welcome To Hell, the 1981 debut release from British
headbangers Venom. (Memo to my friends at Spitfire:
Please, find a way to get this band’s early discs reissued
soon!)

Oh, sure, these days the sound might be laughable, and some of
the things that Venom spews might seem sophomoric compared to other
bands with a demonic edge. But back in ’81, this trio was
considered shocking, not only for their sound, but because they
were – egads! – promoting Satanism in their lyrics. (Whether or not
these guys believe this stuff in real life, I don’t know – but if
your kid is “influenced” by this kind of music, you need to be
locked away for raising your kid to be a spineless sponge.)

Production-wise,
Welcome To Hell is lacking – though you have to take things
with a grain of salt and realize that Venom – Cronos, Mantas and
Abbadon – were part of the New Wave Of British Heavy Metal, and
they had gotten in on the ground floor. There aren’t many
spine-chilling guitar solos, and often it’s damn near impossible to
decipher these lyrics.

But there is something to
Welcome To Hell that makes the listener think that there
just might be something to this band. Tracks like “Sons Of Satan,”
“Red Light Fever” and the title track, while no masterpieces in the
genre, do suggest that greater things would be coming from this
group. Further evidence of this is heard on “In League With Satan,”
which succeeds in its minimalistic style. There’s even suggestions
of musicianship, as heard on the musical aside “Mayhem With
Mercy”.

Yet
Welcome To Hell shows that more work needed to be done.
Tracks like “Schizo” and “Poison” don’t suggest that Venom would
become one of the most notable (if not infamous) bands from this
point in British metal history, and they don’t do terribly much for
the listener.

These days, if you come across a CD copy of
Welcome To Hell, you might see a price tag of about $20 for
a used copy. That’s a bit much, I’m afraid – though if this disc
came out tomorrow at a budget price of $10, I’d gladly snag a copy
(along with the other early albums of Venom’s career – which I’ve
also got in MP3). It’s an interesting, if flawed, picture of a
band’s birth cries (or would that be screams in Venom’s case?), and
is still worth checking out… just not at inflated prices.

Rating: C+

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