Published on Jun 19, 1998
In 1990, some people in America might have considered Depeche
Mode to be a one-hit wonder. They had scored a hit with “People Are
People,” but never followed it up with anything as successful.
(Some songs, however, were popular in the alternative circles.)
Then came 1990 and
Violator, an album that broke David Gahan and company into
the big time. Their mixture of synthesized music, danceable
melodies and dark subjects made the album a smash hit in many
circles. Eight years later, some of the songs on this album have
become terribly overplayed, but the album still remains the band’s
best work.
The first single, “Personal Jesus,” isn’t quite a dance number,
but it still contains enough of a beat that it became a hit in the
dance circles. As a track, it wouldn’t have been my first pick as a
single, and I would have liked a little more development in the
structure of the song, but it is still a decent enough track.
If any song was a shoo-in for a lead-off single, a few come to
mind. The album’s opener “World In My Eyes,” complete with one of
the few synthesized drum tracks I
like, contained some of Depeche Mode’s best musical work,
and is an addictive track. Likewise, “Policy Of Truth” would have
been a great first single, though this album tacks on about two
minutes of weirdness to the track before the song we’re all
familiar with on the radio kicks in.
Surprisingly, the song I would have selected as a single never
made the cut. “Halo” contains the best chorus of all the songs on
Violator, and is an incredible track. Why this song never
made it to the airwaves we’ll never know. Even “Sweetest
Perfection” has enough of a draw that it would fit on many
alternative radio formats.
Of the nine songs on
Violator, only two songs don’t hold up as well to the
well-known tracks. “Blue Dress” and “Clean” are okay tracks, but
they’re nothing special when held up to numbers like “Enjoy The
Silence” and “Policy Of Truth”.
While
Violator is an almost perfect album, the listener might have
become desensitized to some of the songs because they’ve been
played to death on the radio. We’ve all heard “Personal Jesus” to
the point where if it comes on the radio, chances are I’ll turn it
off rather than hear the station pound it into the ground again.
However, when heard in the context of the whole album, these songs
seem to gain a fresh life.
Violator undoubtedly is the best album that Depeche Mode has
ever recorded, and it’s easy to see why this one album made them
international superstars.