Published on Jan 20, 1998
Fewer albums in my collection are more fluctuating in my grading
than Peter Gabriel’s album
Us. It’s one of those albums that is either glued into your
tape deck for a week solid or is gathering dust near your Poison
Open Up And Say ….Ahhhhhh! tape. It’s dirtier and more
abstract than his previous pop album
So. If anything, it’s closest to
Passion, the soundtrack to the Scorsesse movie,
The Last Temptation of Christ.
Gabriel poured his soul out to us on
Us. Most of the songs reflected on his divorce. Some artists
(Fleetwood Mac, Smashing Pumpkins to an extent) have been able to
take divorce and make it into a great work that is accessible to
audiences. Unfortunately, much of
Us sounds more like a therapy session with Gabriel’s
psychiatrist.
The third world influence in
Us at least gives some dimension to Gabriel’s grief. Third
world artist Shankar contributes some fine violin skills,
especially on “Only Us” and “Love To Be Loved”. Sinead O’Connor
gives a beautiful performance in “Blood Of Eden.” All of this makes
Us more of a universal album and not just an artist’s excuse
to vent.
The catch is for the audience to snap up, however. “Washing Of
The Water,””Fourteen Black Paintings” and “Secret World” aren’t
exactly songs that jump out in front of you and evoke a reaction.
It takes a couple of quiet evenings, a couple of drives and a lot
of patience for the songs to settle but when they do, you’re
absorbed by Gabriel’s pain. With a striking minimal piano chord,
Gabriel sings “Bring me something to take this pain away” on
“Washing Of The Water.” It’s a great play by Gabriel, letting his
guard down as well as his metaphors and just saying “I’m
hurting.”
After that, Gabriel’s ‘hit’ songs comes on, “Digging In The
Dirt.”. Cetainly no “Big Time” or “Sledgehammer”, “Digging In The
Dirt” proclaims Peter Gabriel has something inside that is…’dark
and sticky’. The muddy sound of the instruments add a nice play on
Gabriel’s words.
Us would have been a much easier album to like if Gabriel
would have dropped his pretensiousness down a notch or two. As
great as it is to have an artist who doesn’t talk down to an
audience, you get the feeling that Gabriel is banging into your
head, “this is an important album!” To further this point, he even
had twelve different artists paint a picture that represented what
each song meant to the artist. It’s cool that these artists got a
nice commission, but come on, there’s no way Pearl Jam or even Tori
Amos could get away with such a feat without being called
‘pretentious snobs’ by critics.
“Steam” and “Kiss That Frog” are the two rays of sunshine in
this murky collection. While they make probably the most
pleasurable listening moments of
Us, they feel slightly out of place. However, it still is
nice to see the mood lifted in what is otherwise a somber
album.
Your perception is essential to appreciating
Us. I was even reluctant to give this one a grade. If you
feel that an artist has no right to dump their problems on your lap
for fifty minutes, then, by all means, pick something else out of
the ‘used’ racks at your local record stores. For those who are the
self-absorbed type,
Us will fit like a nice black turtleneck. For those
somewhere in the middle (myself included),
Us will no doubt will have to find a place in your ears. You
will no doubt hear another album like it. But it’s going to need a
lot of nurturing to grow on you.