Published on May 19, 1997
It’s not often that I choose to review rare albums – those which
have been pressed in limited quantities as special treats for the
diehard fans. Usually, if you miss your chance to buy them in the
stores, you’re pretty much screwed.
So when I received a second chance at one of these, I snapped it
up – Paul McCartney’s
Unplugged (The Official Bootleg). One of the first of a
plethora of “unplugged” shows, this is also one of the best. I
recently went back into the Pierce Memorial Archives (moving day 48
days away) and dusted it off – damn you, VH1 for subliminally
affecting me!
This album could have been a disaster – McCartney could have
relied on old standards of his touring catalog such as “Hey Jude”
or “Maybe I’m Amazed.” He could have chosen songs from the low
points of his solo career. He could have relied solely on old
Beatles songs.
Instead, McCartney did a 180-degree turn and chose to perform
songs mostly from – gasp! – other artists, with a slight peppering
of Beatles tracks. Many of the songs on this one are songs that
McCartney has not performed in several years – and in some cases,
they are the first recorded performances by the ex-Beatle.
In one sense, you have to question this choice – who else with a
30-plus year music career could get away with opening a live album
with a cover of Gene Vincent’s “Be-Bop-A-Lula?” But for McCartney,
it works, thanks in no small part to the solid backing band he has
behind him.
The looseness of the session is evident throughout the album –
included in the performance of the Beatles’s “We Can Work It Out”
is a mistake made in the first verse. To his credit, McCartney not
only leaves it on, he laughs it off. In fact, all the Beatles songs
included here are performed especially well, though my personal
favorite is “I’ve Just Seen A Face,” a performance which makes me
wonder why this track isn’t more famous.
Some of the covers McCartney performs on
Unplugged are interesting choices. After a by-the-book
performance of Bill Monroe’s “Blue Moon Of Kentucky,” the band
plays it again, this time with a shuffle tempo. Scott McKenzie owes
a lot of credit to McCartney (as well as Eric Clapton) for bringing
to people’s attentions again his song “San Francisco Bay Blues.”
And while Hamish Stuart does a decent job on “Ain’t No Sunshine”
(with drums provided by McCartney), I’ll always prefer the original
by Bill Withers.
McCartney chooses to concentrate only on his first solo album
here, taking three songs – “That Would Be Something,” “Every Night”
and “Junk” – and breathes new life into them. It would have been
interesting to have heard McCartney take a song from his
then-recent studio album
Flowers In The Dirt and give it the acoustic treatment.
What is interesting is that there is nothing here from the Wings
period of McCartney’s career. I guess it was too easy to fill an
album of this magnitude with acoustic versions of “Band On The Run”
or “Uncle Albert/Admiral Halsey.” Thankfully, he chose to make
things a little more difficult, creating an album that would have
greater appeal for the older fans than the ones who knew only the
songs overplayed on the radio.
I don’t remember how many copies of
Unplugged were released (I have the tape numbered 18782),
but this one will probably be the hardest album we’ve featured on
“The Daily Vault” to find. But I’ve always found that the more
difficult searches produce the most satisfying prizes. And this
album definitely falls into that category – but don’t ask me for my
copy.