Published on Nov 15, 1997
Somewhere in the New Wave of British Heavy Metal, someone forgot
to tell Biff Byford and Saxon that it was over.
One of the better bands (and, surprisingly, most ignored) of the
musical wave that brought heavy metal back into popular favor in
the ’80s, Saxon has been slugging it out on their own terms, all
the time led by Byford’s throat of steel. The last I had heard of
them, they had released
Solid Ball Of Rock, a wonderful album which was a commercial
flop.
Now, Saxon is back with
Unleash The Beast, an album which is not demonic as its name
and cover art would suggest, and features the band banging out some
of their best tunes as if it were still 1983.
Well, maybe not all is the same. Often it sounds like Saxon has
toned down the volume a little bit in the hopes of winning over a
pop fan or two. It also occasionally seems like Byford and crew are
writing songs in the hope of landing a single on the radio.
Is this a bad move? Not in my book; “Terminal Velocity” and
“Ministry Of Fools” (despite the latter using the
forbidden-on-the-radio f-word) are killer examples of how good
Saxon can be. Of course, as evidenced by the title track, the band
hasn’t forgotten how to grab your head and slam it into the wall.
(The opening montage “Gothic Dreams” is an interesting way to open
the album – kind of reminds me of the opening to Stryper’s
To Hell With The Devil.)
The two-guitar attack of Paul Quinn and Doug Scarrat is a
one-two punch that knows when it’s time to let loose without
reaching the point of showing off. Bassist Nibbs Carter provides a
hidden but strong backbone, and Nigel Glockler works his drum kit
quite well. But leave no question that Byford is the leader of this
band; his unique vocal style is one you could immediately recognize
if you were a follower of the heavy metal genre.
Not all on
Unleash The Beast, however, is happy;”Absent Friends” is a
personal tribute to a friend of the band’s (or maybe it was a
former member; the bio isn’t very helpful in this case – and once
again, neither is
The New Rolling Stone Encyclopedia Of Rock & Roll) who
died. Byford is wise in keeping the volume of this song subdued,
and it serves as a lovely tribute to John J.J. Jones.
But for the most part,
Unleash The Beast is a powerful rocker that is meant to get
your pulse rate up. Cuts like “The Thin Red Line,” “Bloodletter”
and “Cut Out The Disease” all show why this band should have been
as big a name as others like Def Leppard and Iron Maiden. It’s sad
that Saxon is still trying to earn their time in the spotlight –
especially when heavy metal is treated like a leper in the market
today.
Unleash The Beast is more than worthy of your entertainment
dollar – if not just your attention – and shows that not everyone
who helped breakheavy metal into the mainstream got the attention
they deserved. Fortunately, it’s not too late for us to pay that
homage to Saxon.