Published on Jul 27, 2004
On the heels of various Internet reports stating that the
Scorpions were set to release an album that would take them back to
their rocking roots, I decided to do the same thing in purchasing
Unbreakable. While I have always done everything possible to
catch the Scorpions on tour in recent years, the same can’t be said
in me having the same inclination in buying their recent albums.
And yes, it has a lot to do with the band recently experimenting
with everything from the acoustic works found on
Acoustica, to teaming with the Berlin Philharmonic on
Moment Of Glory, to their failed foray into the techno world
with
Eye II Eye, as I feel the band could and should have been
putting out hard rock albums.
Well, I’ve got to say that it sure does feel good to pigeonhole
myself, in this instance, as being one of those fans that any
serious band probably despises. I can hear the band saying, “that
guy is nothing more than a half-cracked music journalist to not be
able to expand his horizons!”
Yeah, yeah, yeah. I’ll just say that if it weren’t for the sheer
power of the Scorpions guiding me through my adolescence by giving
me the
Animal Magnetism,
Blackout and
Love at First Sting albums to listen to, I would probably be
reviewing god-awful Dexy’s Midnight Runners albums and the like.
Since that is fortunately not the case, I’m going to remain selfish
in my expectations of what the Scorpions should sound like.
With that being said, I am finding Unbreakable to be an
interesting listen. On one hand, I’m not really surprised to hear
that vocalist Klaus Meine hasn’t lost his chops, considering the
fact that I’ve seen him perform in stellar live fashion recently.
If I were to report any disappointment, it would be in that the
guitar work of Rudolf Schenker and Matthias Jabs, while tight, is
rather pedestrian-sounding. These guys in the past had undeniable
penchants for breaking off some of the most wicked lead breaks
found in rock n’ roll. By and large, that energy is gone. “This
Time,” which is buried deep in the track order, is about the only
song I can find on the album which attempts such fury.
Interestingly though, there are still several tracks that border
on the “killer” status I would have given them had this been the
’80s and I were still in my early teens. “Through My Eyes” is a
dark track with an opening that gets precariously close to making
me want to spin “Still Loving You” again. The song resonates the
same purpose reminiscent of songs from the era of the Scorpions
ascent into their peak recording years. “Love ‘Em Or Leave ‘Em” is
a more modern track as the guitars replicate the chord-driven
nu-metal trends that are fashionable today while “Deep and Dark”
gives Meine the platform to showcase his vocals with full range
allowing for a few melancholy backing overdubs.
For nostalgia’s sake, the opening riffs to “Someday Is Now”
remind me of the track “Arizona” found on the
Blackout album. Unfortunately, the track spirals into an
even fluffier song than the aforementioned deterring further
curiosity. Otherwise, the rest of the songs on
Unbreakable are listenable but not all that memorable to
these ears.
Unbreakable also comes with several enhanced video features
that are interesting enough in their own right but not equipped
with enough revolutionary material to make a purchasing decision
alone.
Maybe my expectation for a band that has been recording albums
for over thirty years is a bit harsh. But when I find that the
Scorpions can still churn out worthy rockers amid some admittedly
forgettable tunes, it gives me reason to further anticipate
investing time in seeing them the next time they come through town.
And that’s not a bad thing, eh?