Published on Apr 7, 2006
A single verse of the opening song (“This Time”) is
all it takes to recognize this band’s name is no coincidence. Yes,
“Catapult” is the name of a particularly keening, propulsive
Counting Crows song, and yes, the boys of American Catapult are
clearly big CC fans.
By the time the opener chugs into its fadeout and
lead singer/songwriter Tom Townsend chant/shouts “Time / time /
time / time” at the high end of his register like any right-minded
Adam Duritz disciple would, I’m left wondering if the band has any
other tricks in their bag. Fortunately for all involved, they do.
In fact, their natural style seems a bit rawer and more
alt-country/Americana than the Crows, with nice harmony vocals on
cuts like “This Time” and “Easily Distracted” by drummer Shawn
Winters.
Once past the opener, the rest of the first quarter
of Trees Of Mystery emphasizes lyrical imagery over
instrumental fire, but then you get to “Whirlwind,” and the rest of
the band — Winters, bassist Terry Overlin and guitarist Mike Bock
— get their chances to shine while navigating its surging melody.
“Crooked Straight” brings the focus back to Townsend’s words with a
self-conscious but occasionally funny lament that’s half about a
girl and half about the trials of lyric-writing. As to affirm his
alt-country intentions, Townsend name-checks “no depression” in the
lilting, cleverly constructed “Goodbye,” then returns to
Duritz-land in the
stop-start-chant-high-over-repeating-jangly-chords CC homage “Find
Another Way.”
Which raises the obvious issue with American Catapult
— they’re a talented bunch, but it all feels just a little too
safe, as if they’re not ready yet to explore anything outside the
musical boundaries sketched by their most admired forebears. That,
in turn, blunts the impact of the album. Trees Of Mystery
displays quality workmanship all the way through, but didn’t leave
me with more than a single track — the aforementioned opener “This
Time” — that I immediately wanted to go back and listen to again.
Townsend himself remarks in “Goodbye” on his penchant for minor
chords, and it’s both a self-conscious and a telling reference.
Still, this is a very solid effort from this young
indie band, and one that leaves me curious to see if their music
grows and evolves in the future. They’ve clearly got the skills to
take it to the next level; they just need to find a path all their
own to get there.