Published on Jan 18, 1999
Sometime in late 1990, I remember hearing a single that was one
of the catchiest, tightest songs I’d heard in a long time, called
“Last Plane Out,” by a band called Toy Matinee. It stuck in my head
well enough that even though I only heard it once or twice, I
purchased the CD immediately upon finding it used seven years
later.
It was one of the smarter moves I’d ever made. Toy Matinee only
ever produced one CD, but that CD is a gem of progressive pop and
worth digging for. The band was a cooperative effort between
keyboard player Patrick Leonard (a former producer for Madonna) and
San Jose, California musician, composer, and producer Kevin
Gilbert. Gilbert, a musician who spent several years on the edge of
stardom, is best known as the person who discovered Sheryl Crow and
as being a member of her “Tuesday Night Music Club.” Despite
recieving a grammy for “Leaving Las Vegas” and co-writing seven of
the eleven tracks on Crow’s debut CD, Gilbert could never
capitalize on his talents, and died in 1996 of autoerotic
asphyxiation.
The only term that one can come up for this is “shame.” Gilbert
was respected among his peers as a brilliant lyricist, and on this
CD he and Leonard produced nine tracks of clever, intelligent, rich
pop music, music good enough that it’s a mystery exactly -why-
Gilbert was never a success.
The CD starts with the layered vocals of “Last Plane Out”, a
powerful anthem about the world and its downhill path, and doesn’t
stop until the hauntingly sweet ballad “We Always Come Home”. In
between, Gilbert and Leonard hit obsession (“Things She Said”),
wistfulness (“Toy Matinee”), loss (“Queen Of Misery”), and the pain
of never quite fitting in (“There Was A Little Boy”). And it’s not
all emotion; the musical gamut runs from dance to rock to ballad to
almost-blues. Gilbert was a producer, a composer, and an
experimenter, and it shows in the myriad styles on the CD, packed
with neat, almost Keith Emerson-like keyboard lines from
Leonard.
This CD may be out of print, but it’s worth trying to find a
copy. There is a current DTS release, if you have made the upgrade
to DTS CD technology; given the fact there are very few CDs
released in this format, the cult status and word-of-mouth fandom
for
Toy Matinee is obvious.
Gilbert “just missed” for eight years. He was squeezed out of
Sheryl Crow’s debut success by record executives. His version of
“Kashmir” was left off
Encomium, the Led Zeppelin tribute disc, then was a top
request on LA radio stations. After years of tribute work, he was
invited just before his death to fly to London to audition for Phil
Collins’ vacated slot as Genesis’ lead singer. Once again, Gilbert
missed the boat; heaven knows he might had more success than the
current lineup. For the sake of might-have-been, as well as for a
marvelous hour or so of progressive pop music,
Toy Matinee is a definite winner.