To The Extreme – Christopher Thelen

To The Extreme
SBK Records, 1990
Reviewed by Christopher Thelen
Published on Aug 14, 1999

Damn you, VH-1. Damn you for making me interested in an artist
like Vanilla Ice by showing he’s human, just like the rest of
us.

If it hadn’t been for your “Behind The Music” show featuring his
career, I would have been happy enough with my critical drubbing of

Hard To Swallow, and would never have had the inkling to
check out anything else by Rob Van Winkle. But, no, you had to
spark something in my brain that made me dig through my wife’s
tapes and grab her copy of
To The Extreme, Ice’s major-label debut and juggernaut to a
brief flirtation with the high life.

Actually, I once was very familiar with this album. I had no
choice; I was cabling with my father at his side job, and the
owners of the building played that goddamn CD nonstop. (My father
is not a man prone to violence, but I think even he was ready to
see if a CD could fit up a certain body cavity.) After five hours
of nothing but “Ice Ice Baby,” I was ready to jump out the
window… or at least I would have sent that boombox hurtling
towards the pavement. (Insert sound effect of boombox falling:
“Ice, ice, babbbbeeee…….”.)

Now that I’m older and have achieved a more Zen-like nature, I
could approach the album without breaking out the lead gloves and
salad tongs. And – you’re not going to believe what I’m about to
say – but the album isn’t as wretched as we all would like to
believe. It’s no masterpiece – far from it, in fact. But it does
have some brief moments.

The whole schtick of Ice’s act, of course, is that he’s a white
boy performing the rhymes that normally were not done by
Caucasians. The problem is that Ice flaunts his whiteness, as
evidenced in songs like “Play That Funky Music” (featuring the
signature lick from the Wild Cherry hit of the same name). Okay,
Ice, so you’re white; big honkin’ deal. Artists like Snow and 3rd
Bass were white, and look where they’ve ended up without bragging
about the color of their skin. (Hey, wait a minute… uh, scratch
that last thought.)

The centerpiece is the mega-hit “Ice Ice Baby,” which did more
for overexposure than New Coke did for soft drinks. Looking back
nine years after the song’s glory days, it’s not that bad, though
there are early images of Ice’s flirtation with a style of gangsta
rap. I’ll give him credit, though, he minimizes it, and he’s not
talking about “bitches” and “hoes” on
To The Extreme.

That’s not to say that Ice isn’t thinking about things like sex;
“Life Is A Fantasy” is a wet dream put to music… a tamer 2 Live
Crew, if you will (if there is such a thing). It’s a bit
sophomoric; like I’ve always believed, if you’re singing about how
you’re getting parallel all the time, chances are you’re not
gettin’ much lovin’.

Where
To The Extreme succeeds is as a party album. “Ice Ice Baby”
is a song that is a mood lifter for your backyard jamboree (so long
as the other guests don’t hit you over the head with the
turntable), while other tracks like “Dancin'” and “It’s A Party”
are better suited for the lighter moments of life than a rap album,
no matter what its focus is.

But there are mistakes on
To The Extreme – and, to Ice’s defense, other groups were
making the same mistakes around the same time. “I Love You” is a
failed attempt at a soul track, while “Rosta Man” is a pitiful dip
towards reggae – something 2 Live Crew was just as guilty of on
As Nasty As They Wanna Be. I mean, c’mon, you’re either rap
or reggae.

If anything,
To The Extreme could be seen as a bit of a guilty pleasure.
I can stand “Ice Ice Baby” every once in a while, though I can’t
see myself tooling down the Tri-State with the windows down,
head-bopping to this one a la
A Night At The Roxbury. And although it’s weird as hell, I
can’t help liking “Havin’ A Roni” (someone wanna explain what this
is supposed to mean?); it’s a bizarre end to a disc spotlighting a
bizarre career.

Chances are, if you were in your teens or early twenties in
1990, you’ve got a copy of
To The Extreme floating around the living room. While it’s
not an album I would want to leave on the coffee table, it does
have a few moments that showed talent that Ice had. Go ahead, dig
it out and give it one more spin. It’s as dangerous as dancing
around in your underwear – and just as embarassing if you get
caught.

Rating: C+

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