Published on Aug 10, 2004
Like punk rock, there’s an unfair, a general rule about rap has
circulated in the mainstream music community: if you have gray
hair, you need to get out of the game. This belief is totally bogus
and, unfortunately places some limitations on both rap and
punk.
The Beastie Boys, some in their ’40s, came into the studio with
this weight on their shoulders: would kids take to their prankster
image? In addition, the Beasties were no longer the jokesters of
their
Paul’s Boutique or even
Ill Communication era; they are one of the most vocal
critics of the Bush administration. Indeed, when
To the 5 Boroughs came out, all of the factors surrounding
who the Beastie Boys were threatened to overshadow the music they
created. And coming from a band that has never had a stinker in
their collection (with the exception of the unlistenable toss-off
collection …
Some Old Bullshit),
To the 5 Boroughs could have easily been a career suicide
album.
No worries. The Beastie Boys batting record remains stellar.
It’s mercifully shorter than
Hello, Nasty, an album that seems to drag on about as long
as the Beastie Boys’ five year-plus hiatus. The album is a clean
45-minutes and much has been made about its retro throwback to “old
school” hip-hop.
Still, the Beastie Boys already made their “going back to old
school” album with
Hello, Nasty. And with the lack of musical innovation, the
most striking thing about the album is the bold, defiant album
cover, with the World Trade Center penciled into the skyline in all
its glory. After five listens,
To The Five Boroughs’ still basically sounds like the
Beastie Boys’ “We gotta get Bush out of the White House” album.
The Beastie Boys have always taken chances and challenged their
audience. From the “what the hell is this?” sounds of
Paul’s Boutique (an album that took about ten years for most
listeners to finally catch up) to their picking up the guitars and
drums with
Check Your Head, the Beastie Boys have rarely bored its
listeners. Even
Hello, Nasty‘s excess could be forgiven. Unfortunately,
To The 5 Boroughs is the first Beastie Boys album that
sounds “safe.”
To The 5 Boroughs‘ saving grace is its brevity. Even if it’s
the weakest full-length album in the Beastie Boys’ catalog, it has
enough enjoyable moments (see “All Lifestyles”, “Hey F*** You”) to
merit repeat listens. Even the most cynical record store owner
can’t help but get a lump in their throat when listening to the
Beastie’s rousing “An Open Letter to NYC”: “Dear New York, I know a
lot has changed, 2 towers down, but you’re still in the game.” And
before you know it, the album is over, before you can really bitch
about all of its shortcomings.
However, just as I’m about to give it a ‘B’ or higher, I pick up
The Street’s new album,
A Grand Don’t Come For Free. That album is bold, risky (a
rap concept album) and audacious – the things that
To The 5 Boroughs, for all its good intentions, just isn’t.
The Beastie Boys have already looked to the past. It’s a shame they
didn’t look to the future with this album.