Published on Mar 22, 2002
It’s interesting that Niacin – the prog-jazz combo of bassist
Billy Sheehan, keyboardist John Novello and drummer Dennis Chambers
– chose to name their latest effort
Time Crunch. The key word here is “time” – as in, how much
you’ll have to invest in order to fully comprehend this disc.
Undoubtedly the most challenging of Niacin’s works so far, the
trio seems to want to kick things into overdrive in the fusion
department, doing their best to try avenues they may not have
previously explored together. While their exuberance is to be
applauded, it does result in a disc that is sometimes very
difficult to listen to, simply because it’s hard for the listener
to follow.
Admittedly, things get off to a strong start with “Elbow Grease”
and “Time Crunch,” two tracks which leave no doubt to the musical
mastery that each man has on their respective musical instrument.
Sheehan and Novello both create musical lines which sometimes sound
like they could have been pulled out of a Les Paul – but no
six-stringers are to be found anywhere on this disc. As for
Chambers, while he gets his chances in the spotlight from time to
time on this disc, his solid rhythmic backbone is what keeps
driving the music forward.
Here is where things get complicated. Many of the tracks on
Time Crunch seem to get bogged down in the attempts of
Niacin to push the music forward. One example is the track “Stone
Face,” which starts off strongly, laying down a particularly tasty
funk groove. But the sudden shift to a more introspective sound at
the midpoint, highlighted by a Sheehan bass solo which almost
sounds like the instrument is weeping, takes the momentum and slams
on the brakes – and even a return to the funkier rhythm isn’t
enough to get this one out of its tailspin. (Worthy of mention,
though, is the fact that Novello utilized more than his trademark
Hammond B-3, especially on this track – and, with no offense meant
to Novello, the variation in keyboards is a welcome addition.)
Mind you, I don’t have a problem with being challenged as a
listener; if I were, I’d never listen to jazz, choosing instead to
review only the latest albums from Barney or Teletubbies. And I’m
definitely not saying that Niacin should try to play it safe with
their music; having had the privilege of seeing them live, I know
just how good it can feel when this band pushes the envelope
musically. Yet sometimes it does feel like after the one-two punch
of “Stone Face” and their cover of King Crimson’s “Red,” the wind
is knocked out of Niacin’s sails, and the bulk of
Time Crunch features the group merely coasting along. Oh,
sure, a track like “Glow” is pretty enough, and both “Damaged
Goods” and “Daddy Long Leg” have their moments, but the music is
not quite as dynamic as one would have expected, especially judging
from the first 20 minutes.
The choice of cover tunes is interesting. “Red” is one that may
surprise people (except for the die-hard King Crimson fans), and is
admittedly challenging, though it proves to be worth it. But it is
the cover of Jeff Beck’s “Blue Wind” (originally on Beck’s 1976
album
Wired) that is awe-inspiring. Niacin take a song which, to
be honest, I never found to be that interesting, and they give it a
new lease on life. Could it be that Niacin is achieving what Beck
tried to do, both with his solo albums and with Jan Hammer – albeit
without the presence of a guitar?
Time Crunch is still a disc I’m glad I listened to, even
though I had to sit through about five spins just to sort
everything out in my head. One has to wonder if the casual listener
will be willing to do that – or if they’ll simply wonder if their
watch stopped while listening to this disc.