Published on Mar 14, 1997
The Black Crowes are a band that’s best left doing what comes
naturally to them.
On their debut album,
Shake Your Moneymaker, one hears a band that is trying to
break into the mainstream. They did with hits like “Hard To Handle”
and “Twice As Hard,” leaving the band with great success – maybe
too much at one time.
Their next work,
The Southern Harmony And Musical Companion, sounded like a
band trying to deal with the sudden wave of success, and they
weren’t handling it well. The album, in turn, suffered.
Their third effort,
Amorica, showed off a band desperately trying to regain a
lost audience through more experimental works. This was their worst
effort yet, and led many people to write off the Crowes as a fluke
success.
Their latest release,
Three Snakes And One Charm, should shake off any doubts
about their potential. Chris Robinson and crew get back to basics
and play the music they know the best – rock mixed with rhythm and
blues. They’re out to prove only that they know this genre well –
and have created the best album of their career as proof.
The first single, “Good Friday,” is a slight return to the
bluesy jam that helped the band capture the public’s attention a
few years ago. The feel is loose, but intense, as Chris Robinson’s
vocals swagger along with his brother Rich’s guitar work. The
harmonies on this one, as well as many other cuts, are impeccable.
If only radio would take a bigger chance with this one – it’s one
of the best songs the Crowes have ever cranked out.
In fact, a good three-fourths of the album could easily be
released as singles, and none of them would sound out of place on
the radio. “Under The Mountain,” “One Mirror Too Many,” “Evil Eye”
and “Nebakanezer” (the last having a slight Aerosmith feel to it)
all snap the listener to attention. Even the latest single,
“Blackberry,” sounds fresh when placed with its brothers.
But don’t think the Crowes have forgotten about their other
roots. The slow, drawn out “ballads” are here, one in the guise of
“Girl From A Pawnshop,” an incredible song that passes way too
quickly. As for acoustic work a la “She Talks To Angels,” the
brothers Robinson and band deliver with cuts like “Bring On, Bring
On.”
After barely making it through one listen of
Amorica, I had to listen to
Three Snakes three times to make sure this was the same
band. The more I listen to this album, the better it becomes. This
album deserves a better fate than the lackluster sales it has met
with to date.
Special attention should be drawn to the production work of Jack
Joseph Puig, whose work behind the control boards seems to
complement the Crowes’ style. The album does not sound polished by
any means; the production work has a slightly rough edge to it, as
does the music. Puig and the Crowes knew exactly what they were
doing.
It’s not often a band gets a second chance at the spotlight
after throwing away their first opportunity. The Black Crowes have
been given that shot with
Three Snakes And One Charm, and they use it well. This is
easily one of the best albums of 1996.