Published on Oct 27, 2003
You can almost hear Maynard James Keenan’s creative tank edge
toward ‘E’ on A Perfect Circle’s latest album. The guy has either
been in the studio with A Perfect Circle or with Tool and touring
to support each band since 1999. The results have so far been
fantastic with
Mer de Noms and
Lateralus rescuing and moving hard rock and heavy metal into
the new century.
Though APC has usually been more Billy Howerdel’s project, it’s
hard not to bring Keenan to the forefront of the band, especially
since he’s the lead singer and especially since he has one of the
most distinctive voices in rock. The band has always been a more
melodic alternative to the abrasive and sometimes industrial
tendencies of Tool. With
Mer de Noms, the band was able to balance their obvious love
for progressive rock with some truly tight songwriting and musical
structure.
Unfortunately,
Thirteenth Step is a step back for A Perfect Circle. The
album limps out of the gate with three basic standard rockers. With
“The Noose,” APC takes another strike at religious hypocrisy, with
Keenan singing, “Your halo slipping down.” I’m all for exposing the
flaws in any religion, but A Perfect Circle has done this already
with the beautiful “Judith” and Tool has addressed it in almost all
of their albums.
The band succumbs to the trappings of the worst tendencies of
progressive art rock in songs like “The Nurse Who Loved Me,”
“Crimes” and “A Stranger.” These songs plod along with sludgy
guitar licks and pretentious lyrics. To add to the progressive rock
clichés, Keenan keeps mentioning “my precious” in at least
two songs on
Thirteenth Step, forcing the listener to envision scenes
from
Lord of the Rings – another favorite topic for progressive
rock and heavy metal bands.
The new additions to the lineup for
Thirteenth Step include ex-Marilyn Manson member Jeordie
Orsborne White (Twiggy Ramirez) and ex-Smashing Pumpkins member
James Iha. On paper, it looks like a great addition, but throughout
Thirteenth Step, it sounds like the band never quite gels.
Only on “The Outsider” and “Lullaby” does APC sound like a cohesive
unit.
Only on “Vanishing,” The Outsider” and “Gravity” does
Thirteenth Step sound the slightest bit fresh. The album
does have some potential to grow on you if given a few spins.
However, most of it remains a fairly humorless and droning affair.
It’s not a failure. It’s not an album that will likely inspire
outrage from fans because of a radical creative departure ala Liz
Phair. It’s almost worse; an album that leaves you feeling nothing
at the end.