Published on Jan 24, 1998
In a matter of days, Paul Simon is going to put his career on
the line when his first Broadway musical,
The Capeman, opens. And while we could jump on the bandwagon
and review
Songs From The Capeman, instead I’d prefer to dig a little
deeper in the Pierce Archives and take a look at
There Goes Rhymin’ Simon, his 1973 release which probably
made his solo career an early success.
Despite the success of the ska-influenced “Mother And Child
Reunion,” Simon’s first solo album was hardly a smash hit like
anything he had done with Simon & Garfunkel. He needed to reach
deep within himself and utilize all of his pop music writing skills
and create a work that would establish himself in the industry as a
bonafide solo artist.
On
There Goes Rhymin’ Simon, he makes it sound so effortless.
The leadoff track, “Kodachrome,” takes a nostalgic look back at
life through the metaphor of color film. ‘Course, Kodak, who
manufactures the film of the same name, got pissed and demanded
that Simon put a trademark notice on the song. Seems kind of silly,
really – while the song does often mention the product, it could
have been a commercial for it.
But SImon wasn’t done yet. On “Take Me To The Mardi Gras,” he
dabbles a little bit in Dixieland, though he saves the fireworks
for the instrumental ending performed by the Onward Brass Band.
“Loves Me Like A Rock” has a strong doo-wop beat provided by the
Dixie Hummingbirds, and is a fun song to listen to. Another hit,
“Something So Right,” is a more serious number that returns to
Simon’s usual introspective style that was so overbearing on his
first solo effort.
Even the songs that might not have made it onto the radio are
strong numbers. “Learn How To Fall” easily could have been a hit
had it been chosen, and is one of Simon’s underrated classics. “St.
Judy’s Comet” is also a decent number, if not quite as strong.
The only “disappointment” of sorts is “American Tune” – and it’s
not that it’s a bad song. But it’s just that I’m so used to the
poignant live version that I grew up hearing on
Greatest Hits, Etc. that is more moving than the original
studio version. Still, that’s a small criticism.
Simon established himself in a major way with
There Goes Rhymin’ Simon, re-positioning himself as one of
this era’s greatest songwriters. And though his biggest successes
still lay ahead of him, he made a strong step in the right
direction with this one.