Published on Sep 22, 2001
There’s something a little disconcerting about listening to a
Christmas album on the first day of fall… but we won’t go into
that right now.
There’s also something disconcerting about listening to a new
age Christmas album like
The Gift from Jim Brickman. You see, each person has their
own idea of what proper Christmas music is. As a child, my view of
Christmas music was the Harry Simeone Chorale and the music boxes
of the late Rita Ford. As I grew older, I found myself enthralled
with the
Winter’s Solstice discs from Windham Hill, showing just how
beautiful both Christmas and new age music could be.
So, what’s disconcerting about
The Gift? It’s just that, whether it’s fair or not, I find
myself holding this album up in comparison to the first two
Winter’s Solstice discs. Thankfully, Brickman has crafted an
album which holds its own quite well.
The first release from the romantic pianist to feature vocals on
more than one track,
The Gift takes both old standbys and new compositions to
create a holiday album that tries to do something that most
Christmas albums don’t: it aims for the emotional side of
Christmas. “Starbright” brought back memories of when I first heard
“Tiny Angels” from Roger Whittaker, and it can easily bring a
listener to tears as they remember the nervous anticipation
children have on the night before Christmas. It’s an incredibly
powerful piece of music that still moves me – even though, as this
is written, there isn’t a Christmas decoration to be seen in my
house. And if you want a song that captures the optimistic mood of
humanity, just listen once to “Hope Is Born Again”. There’s a lot
you can take from this song… and I’ll leave it up to the listener
to find their own message.
In terms of instrumentals, Brickman is able to create a
natural-sounding balance between his piano work and richer
instrumentation than he’s had on any album previously. Tracks such
as “Joy To The World,” “Angels” and “What Child Is This” allow
Brickman to place his own signature on each song without
distracting from the basic core of the holiday classics. In terms
of originals, songs like “Fireside” and “Winter Peace” keep with
the basic tenet of any Brickman composition – in fact, these would
not sound out of place on any of Brickman’s non-holiday albums. But
they do succeed in creating a mental picture through the music,
transporting the listener to a holiday scene in their own
memories.
It may seem odd that I’ve mentioned nothing about “The Gift,”
possibly the best-known song on
The Gift. To be frank, the song speaks for itself. There’s a
reason so many radio stations play this one – and it’s yet another
song that would not be inappropriate outside of Christmas.
It may also seem odd that I’ve not brought up the guests on
The Gift, like Collin Raye, Kenny Loggins, Point Of Grace,
Susan Ashton and many others. While their contributions make these
moments that much more special, they are not the stars of this
disc. For that matter, I’d dare to even say that Brickman isn’t the
star. In truth, the music is center stage this time around – which
is just how it should be.
The Gift is a wonderful holiday album that might just find
its way into your CD player at other times in the year – and why
not? As Angela Lansbury once sang, “we need a little Christmas
now.” This is as fine a way to grab some of that spirit when you
need it the most.