Published on Apr 6, 2004
The Downward Spiral was released shortly after Kurt Cobain
blew his brains out. As music magazines mark the tenth anniversary
of Kurt’s death, hopefully the anniversary of this album’s release
won’t go unnoticed. While the album was basically geared to be
Reznor’s breakout album, ten years later, it sounds like the most
politically charged album for 2004.
Think about it – in the age where radio giants like Clear
Channel are doing a far more effective job for censorship than the
government ever could and the ridiculous blowup over Janet
Jackson’s halftime antics, it’s hard to believe that
The Downward Spiral could even hit the airwaves in 2004. It
has everything that is a hot button censorship issue: songs about
violence, sado-masochism and drug use. It’s hard to believe that
when “Closer” was released as a single, the outcry was virtually
non-existent, even with its memorable chorus: “I want to f**k you
like an animal.” Sure C. Delores Tucker lumped Reznor in with Snoop
Dogg, but most radio stations did not ban the tune. To add
relevance to
The Downward Spiral, John McCain (who may be part of a
historic bipartisan presidential ticket) is a self-professed Nine
Inch Nails fan.
It was unfortunate that it took a Johnny Cash cover of “Hurt” to
make people notice that for all the noise, Trent Reznor is an
incredibly solid songwriter.
Pretty Hate Machine and
Broken may have stuck with the same mood, but they became
staples of the new industrial sound. However, much attention was
focused on Reznor during the emerging alternative music scene, and
Reznor knew he would have to incorporate more emotions than just
unadulterated rage.
The Downward Spiral had moments of beauty (the introduction
of the title track), vulnerability (“I Do Not Want This”) and even
humor (the over the top “Big Man With a Gun”).
In addition to some stronger songwriting, Reznor also includes
much more diversity on The Downward Spiral than either of his
previous albums. The album was fans first exposure to David Bowie’s
influence on Reznor’s work. He would later take his Bowie fix to a
new plane with his follow-up album, The Fragile.
Some of the tunes failed to register with me in 1994 and don’t
register today. “I Do Not Want This” sounds like a 30-year-old
throwing a teenage-style temper tantrum and “Heresy” seems to
deliberately try to raise the ire of the religious right, but comes
off as a loud whine. It wants to be a masterpiece. It would take
almost five years and a looser approach to the music before Reznor
released an album that would justify that label of masterpiece.
Still, for all its imperfections,
The Downward Spiral is a bracing listen, and perhaps more
important now than it was in 1994.