Published on Feb 10, 2003
Rounder Records, continuing its long-term practice of finding
accomplished Canadian artists and signing them to US contracts, has
brought us their latest gem, Vancouver-based blues-folk artist
Stephen Fearing, and his latest CD,
That’s How I Walk. And I have to say, they haven’t missed
yet.
Walk, released on Rounder’s subsidiary imprint Philo, is a
tight, well-performed, and darned enjoyable piece of work.
Fearing, a fifteen-year veteran of touring, solo and group work,
has an undeniable talent. His voice, at once gritty, smoky, and
alluring, is still articulate and incisive when it need to be. He
has that rarity in music nowadays, a unique voice that is still
listenable. His guitar playing is excellent as well (especially the
resonator guitar on “Like The Way You Said” and “When My Baby Calls
My Name”) and he’s backed up by a band of competent musicians,
blending seamlessly into a musical whole. Production and
engineering on the album are crystalline; you can clearly hear
Fearing’s string sounds on his guitar, and I cheerfully admit I’m a
sucker for that.
What makes the CD stand out are the little touches. An
unexpected trumpet graces “Town Called Jesus,” turning the
cliché of acoustic my-home-town blues into something richer
and fuller. Shawn Colvin’s backing vocals on “The Finest Kind”
bring a needed depth, turning a good song into an excellent one.
Fearing plainly plays attention to how a song should sound, and
doesn’t limit himself to the conventions of his musical form.
Other tracks worth mentioning include the wistful, rich
“Showbiz”; the bitterly satirical “Rave On Captain” (good to see
Canadians understand the last US election was bought, too); the
driving and obsessive “Black Silk Gown”; and the highlight of the
CD, the haunting “Me And Mr. Blue” — a tune I couldn’t get out of
my head (and may, indeed, not get it out for weeks).
Stephen Fearing is another Canadian import who’s definitely
worth checking out.
That’s How I Walk is definitely worth picking up.