Published on Aug 29, 2001
Bands like Godsmack, Staind, and Drowning Pool sure don’t fool
metalheads like me, that’s for damn sure. I’m still listening to
good bands.
Detachment from Cedar Rapids, Iowa, is a death band with so much
talent they belong on Nuclear Blast Records or Century Media
Records. They sound like a band, production-wise, that would fit in
on a tour with death gods Dimmu Borgir and/or Cradle of Filth.
Their recent release,
Suspended In Stone, is a breath of fresh air for the
genre.
First off, death metal vocals and I do not see eye-to-eye on any
level. Former Metallica bassist Jason Newsted recently described
them as “Cookie Monster vocals” shortly before taking the stage
with his new trio, EchoBrain. And, as a retired drummer with 21
years of playing under my gut, I have to say that blast beats, that
is, playing the snare on all four beats of a 4/4 measure, doesn’t
impress me either, no matter how fast you play it. So any death
band, whether they are from my hometown or not, have two strikes
going against them. I admit this openly so you know where I
stand.
Detachment still hasn’t gotten their third strike. They are
smart enough to know that those trademarks have been done before
and doing them again does not expand the genre.
“Bloodmirror” is the peak of this CD and demands your attention.
This song is in three movements. The first and third are identical.
The band introduces each instrument and allows each to take a brief
featured spot, before guitarist/vocalist Lee Ohlhauser leads the
band through the same type of death metal that you hear in the
first five tracks.
However, in the middle of this song, the death metal genre
expands when the band slips into a fusion section in “Bloodmirror,”
powered by the hi-hat groove of drummer Larry Unger. Bassist Wade
Wilson, who has since left the band, joins in with some tasteful
bass licks while guitarist/vocalist Lee Ohlhauser contributes an
outstanding performance, bringing to mind a guitarist like Al
Dimeola and the band Cynic. Keyboardist Michael Titman shines as
well. The band begins the track as a death metal song, but decided
to throw in this section. It works remarkably and serves as a nice
set up for the last 3 tracks. It’s as if the band needed to get
this fusion section out of their system. And in doing so,
Detachment expands the genre, while still being true to the
genre.
Suspended In Stone is the type of release that you can
listen to over and over, kind of like AC/DC’s
Back In Black. After awhile, the material becomes familiar.
But even after 10 listens, I find new and exciting things to shake
my head in amazement to. While I do wish that there were more truly
genre bursting sections on the CD, the fusion section in
“Bloodmirror” did the trick for me.