Published on Aug 5, 1997
For most of their 30-plus year career,the Rolling Stones have
had problems translating their power in the studio to live
recordings. They always tend to go into “hyperdrive,” speeding up
the performances and leaving the listener tired, confused and
unsatisfied.
Their 1996 release
Stripped, however, features some of the best live work this
band has ever done – if only it were really a live album.
Mick Jagger and crew find themselves captured on stage in
Holland and France,banging out some old favorites as well as some
songs I’m not accustomed hearing the band perform. However, a good
portion of the album is taken from rehearsals at other locations on
the tour – and this is what leaves me quite disappointed.
The foursome (c’mon, guys, why don’t you recognize Darryl Jones
and make him a full-fledged member of the band?) open up with a
powerful acoustic version of “Street Fighting Man,” a song which
has never sounded more relaxed or powerful. The guitar work of
Keith Richards and Ron Wood is at its crispest since
Tattoo You, and the acoustic setting of the album may be
exactly the atmosphere the Stones have been looking for throughout
the ’80s. Their cover of “Like A Rolling Stone” is energetic and a
definite change for the Stones – maybe they should turn to covers a
little more often.
But as the recording turns to the rehearsals, you find out you
miss the tension of the live crowd waiting for Jagger et al. to
plow new ground. I don’t think I’ve ever heard a more beautiful
version of “Wild Horses” by the Stones – pity it wasn’t in front of
the crowd. Richards also gets a chance to shine on “Slipping Away,”
further proof that maybe Keef should have been given a shot as lead
throat more often.
And it’s not that I object to including material from the
rehearsals – but when
Stripped is touted as a live album, I expect to hear the
crowd roaring in the background more often than not. Then again,
remember that the Stones always seem to tense up and speed up in
front of an audience – while this album has a relaxed, refreshing
feeling.
One of my favorite tracks here is “Sweet Virginia,” a song which
offers more proof that the Rolling Stones are far from washed up
despite three decades in the business. Charlie Watts provides a
solid backbeat, as usual, while producer Don Was adds in a touch of
organ to keep things lively.
So is
Stripped a good album or not? In one sense, I guess it is –
Jagger and crew have never sounded better on stage, even without an
audience in front of them. But in another sense, someone thinking
this is another live album – if I count right, the sixth in their
career – will be somewhat disappointed.
This disc is also an enhanced CD, though my promotional copy,
for some reason,didn’t have these features. So, at least you’ll
have something to look forward to discovering on your own.