Standards & Practices – George Agnos

You may remember the California punk rock band, Face to Face
from their one hit, “Disconnected” back in the mid-90’s. The hits
may be gone, but they are still making good music. Their latest CD
is called
Standards & Practices because the entire CD is nothing
but covers of some of the bands favorite artists.

Before I even heard a note from this CD, looking at the songs
they covered, I realize this band has one cool music collection.
The usual suspects are there for a punk rock band with songs by the
Ramones and Sugar, as well as unsung punk bands like Jawbreaker,
Fugazi, and unsung at least in the United States, the Jam.

However, it is the non-punk artists that are covered here that
make
Standards & Practices such a fascinating CD. The opening
song is “What Difference Does It Make?” by the Smiths. This version
is quite a revelation not only because the Smiths, who are famous
for mellow, somewhat precious Brit-pop, would seem like the
unlikeliest band to be covered by punkers, but because Face to Face
rock it up without losing sight of Morrissey’s clever lyric
writing. They wisely do not play it too hard and fast, saving that
kind of fury for the real punk songs.

Among the other surprises are their treatments of “Sunny Side Of
The Street” by the Irish folk-rock band the Pogues, and “Heaven” by
the Psychedelic Furs. Again, both covers are winners because the
emphasis is on the songs themselves, and singer Trever Keith
captures the nuances, even in these more rock-oriented
versions.

All that said, Face to Face do crank it up for much of
Standards & Practices. Not only do they wisely match the
bluster of Fugazi’s “Merchandise”, the loopiness of the Pixies
“Planet Of Sound”, and the campiness of the Ramones “The KKK Took
My Baby Away”, but they add a great deal of raw energy to the INXS
song, “Don’t Change”.

Of course, there is bound to be a cover that isn’t quite so
successful. In this case, it is their version of Sugar’s “Helpless”
which is a a little too straightforward, neither kicking it up a
notch sonically or vocally. Keith cannot match Bob Mould’s vocal
intensity, and sequencing this song after the blistering
“Merchandise”, makes it seem even a little tired.

At ten songs (with quite a few of them clocking in under three
minutes),
Standards & Practices seems way too short. The time
flies especially because this band sound like they are having a lot
of fun. The song choices are great, and for the most part, the
performances are inspired. Even if you have all the original songs
in your collection, this CD is worth picking up.