Published on Jan 5, 2005
Capitalizing on the “I really dig these mp3’s” sensation that
I’ve been feeling since I first learned about the band Maryslim
earlier this year, I readily plopped down the cash to buy the
band’s sophomore effort,
Split Vision, from an independent dealer. I blindly toss
cash into purchases like this when I know a band’s pedigree is
solid and the mp3’s sent to me by a friend of mine in Germany were
only an appetizer for what I knew might be a sure bet.
A few facts — the band is from Stockholm — a location that is
currently spitting out “real” rock and roll bands, playing
creatively and passionately, at a rate as quick as the dollar’s
recent decline in the world markets. Secondly, the Wild Kingdom
label is an offshoot effort of Calle Schewen’s former White Jazz
Records company — a label that has introduced me to many artists
that rate high on my list of current favorites. Lastly, the band’s
guitarist Kent Axén played in the Diamond Dogs for a spell
which just adds another element of sure appeal.
Oh yeah. Of equal importance, perhaps…..did I mention
that I really liked a couple of mp3’s I had heard from Maryslim’s
self titled debut album?
Right away, the first track on
Split Vision, “Walk Alone” offers up a veiled reincarnation
of Ted Nugent’s “Stranglehold” solo in various places throughout
the song. By mere mention that I’m saying guitar solo in “various”
places speaks to the fact that the song arrangements on
Split Vision are varied and not repetitively boring.
The vocalist, Mats MF Olsson, reminds me a lot of Goo Goo Dolls
vocalist, Johnny Rzeznik, but in a much more consistently
impassioned way as he actually seems to sing with more meaningful
purpose. Complementing his vocals instrumentally are a slate of 12
songs that are largely upbeat melodic rockers — the kind that are
totally accessible as genre beaters. Easily, I can envision
metalheads tolerating the Split Vision songs as much as I can see
the casual listening post-teen female getting into these songs.
And it’s not only Olsson that treats the songs on this album
passionately. Listeners will surely pick up on the tightly placed
guitar work — in particular, the riffing of Axén during the
last minute of “Something to Rise”. Full of energy, closed eyes
will suggest that it could as easily be Slash ripping his way
through the solo.
Maryslim really only attempt to throw the brakes on the tempo
one time with the performance of the last track on the album,
“Bring It On.” This shows the band at their worst as the ballad
really hits no noticeable groove. I’m guessing even the band knows
this as the track is conspicuously buried as the last track at the
end of the album.
As equally distinctive in a positive way, the first single,
“B.T.L.” is definitely the legitimate choice from this album. By
comparison to the other tracks on
Split Vision, Olsson’s voice comes through with a darker and
more introspective tone before he starts ripping off the same
addictively airy anthemic-type choruses which steer the song back
into the vocal formula that has makes this album so appealing.
All in all,
Split Vision is really good stuff and has become my most
recent testimony proving that downloading and file-sharing coupled
with resourceful indie labels and small label music stores not only
can function together but thrive in creating awareness for music
that really matters.