Published on Jan 9, 2001
Progressive rock is by no means dead – though it is getting
harder and harder to find. Sure, there are the specialty labels
like Magna Carta who have done more for the scene in recent years
than anyone, but it’s still not always the easiest genre to find…
or to get into.
Sweden’s The Flower Kings are bucking that trend, becoming one
of the best-kept secrets in the progressive rock world. Despite a
level of success they’ve experienced in America, chances are the
first time you’ll have heard of them is now, as we talk about their
latest disc (and sixth overall)
Space Revolver.
If anyone should appreciate what lead guitarist/vocalist Roine
Stolt and crew are trying to accomplish, it should be me – the
self-admitted, drooling Frank Zappa and Phish fan. After all, there
are elements of impromptu jazz and free-form jamming scattered
throughout the 10 songs on this disc. Yet I still found myself
bewildered when, at about the nine-minute mark of “I Am The Sun
(Part One),” I heard them break into a vocal rendition of “I Left
My Heart In San Francisco” without missing a beat of the original
rhythm of the song. Yikes.
The Flower Kings don’t neatly fit the bill of a prog-rock band,
despite their inclinations towards the stylings of Genesis, Emerson
Lake & Palmer and even Phish (“Monster Within,” “Chicken Farmer
Song”). New bassist/vocalist Michael Stolt gets chances to shine
throughout the disc, expecially on “Rumble Fish Twist” and “I Am
The Sun (Part One)”.
But what makes
Space Revolver so intriguing is that as frustrating as it
can be at times, it still is a disc which is captivating, no matter
which musical genre you approach the disc from. I’d be hard-pressed
to call it a disc you’d leave in the CD player for daily listening,
but it does musically clean out the pipes, and helps to remind you
how important prog-rock still is, even in the new millennium.
Maybe the key to
Space Revolver is that you need to listen to this disc even
more than I already have – after all, many prog-rock albums have
shown me their inner beauty after spending significant amounts of
time with them. Yet there is still something that you can gleam
from this disc, even after a mere cursory listen – though all
you’ll probably walk away with is an appreciation of tracks like
“You Don’t Know What You’ve Got” or “A Kings Prayer”. Still, that’s
better than nothing, I guess.
Space Revolver is the kind of disc that requests that the
listener devote some time to it, but in the end, it proves to be a
worthwhile investment. It’s a little hard to approach initially,
but it’s enough to suggest to me that The Flower Kings have
rightfully earned all the accolades they’ve received to date.