Songs From The Wood – Riley McDonald

Songs From The Wood
Chrysalis Records, 1977
Reviewed by Riley McDonald
Published on Jul 29, 2004

In 1977, Tull was pretty much a folk-rock band. They had slowly
been progressing away from the prog-rock genre, and
Songs From The Wood would galvanize their position as a
folk-rock band.

This is quite possibly Anderson and co.’s most “fun” album to
date. Songs like “Jack-in-the-Green” and “The Whistler” are laid
back folky tunes that still retain a powerful melody.

Anderson’s flute is used quite liberally throughout the record,
adeptly showcasing his talent on it. While not as up-front or
aggressive as some of his passages on Aqualung, they’re beautiful
in a whole different way.

However, for all the good found on this album, it has some
shortcomings. The one that I find most obvious is the lack of
Martin Barre’s electric guitar assault. The only song where it can
be heard in abundance is on the eight-minute “Pibroch (Cap in
Hand),” which I find to be a disappointing song. While we do get a
taste of Barre’s guitar prowess, the actual track is very slow and
uninteresting.

Fans of harder rock will definitely be turned off by this album.
All of that edge that Tull had on albums like
Aqualung,
This Was and, to a lesser extent,
Minstrel In The Gallery, is replaced with flute flourishes
and placid acoustic guitar riffs. But for either die-hard Tull
fans, or people who like mellow music, this is the album for
you.

Though many purists will crucify me for saying so, I believe
this album hosts Tull’s best song to date. Is it the upbeat,
full-of-life title track? The melodic “Cup of Wonder”? The epic,
keyboard-laced “Velvet Green”? Nope. I’m talking about the album’s
closing track, “Fire At Midnight.” A song that has a soft, Celtic
intro, complete with Anderson’s romantic singing, and a beautiful
flute in the background. It’s followed by the bridge, which
contains a brilliant flute solo, and even has an electric guitar
lead by Barre, something that is sorely missed on this album. All
in all, it’s the perfect song.

As I’ve said before, this album isn’t for everybody. Hard-rock
fans will be instantly turned off, as will people who don’t care
for the more folky part of Tull. However, for those who enjoy
experimentation, you will not be disappointed at all.

Rating: B+

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