Seal IV – Duke Egbert

Seal IV
Warner Brothers Records, 2003
Reviewed by Duke Egbert
Published on Nov 11, 2003

Ladies and gentlemen, Seal gets funky.

Seal has managed to remain one of the more iconoclastic and
idiosyncratic artists out there, despite his mass-market success
with songs like “Kiss From A Rose”. His music remains accessible
yet unique, a rich blend of soul, R&B, and pop with occasional
other influences. He started out in acid and house music, he’s
played blues, he’s dabbled in world music — but until
Seal IV, we had never seen the Funky Seal in action. I guess
it must have been time, because he kicks out quite a few jams on
his latest effort.

As always, the producer is Trevor Horn, and Horn’s crisp, sharp
style fits Seal’s smooth and stylish vocal style to a T. Horn also
proves himself to be capable of handling Seal’s changing sound.
What is different about
IV is hard to define; we’ve already used the term funky, and
that definitely applies on songs like “Get It Together”, with its
Sly and the Family Stone backbeat, and “Don’t Make Me Wait”, with a
stately piano providing a counterpoint to Seal’s gospel-tinged
vocals. Another word might be brighter; this may be the most upbeat
Seal has ever been, and it’s a huge change after the ambient and
moody Human Being, his last release. “Let Me Roll” is damn near a
rock song, with a doo-wop baritone harmony vocal, Abbaesque string
hits, and a punchy drum line. On the other hand, there are songs in
the more traditional Seal groove, wistful and ethereal — “My
Vision”, “Loneliest Star”, and “Touch” are good examples.

Seal even tries his hand at almost-reggae on “Where There’s
Gold”, and does just fine, thanks. “Heavenly…” is a typical
Seal power soul number with an almost numinous feel to it, gorgeous
soaring vocals providing a glorious centerpiece. Finally, almost
casually, he throws off “Waiting For You”, which is one of the most
powerful singles I’ve ever heard and deserves a lot more airplay
than it’s getting.

The balance that Seal has struck is notable; he’s kept the core
of the sound that first grabbed us with “Crazy”, twelve years ago,
but he’s added elements as he’s grown in maturity and skill.
Seal IV is a truly special album, and not to be missed; a
fine effort by an artist I suspect will be remembered as one of the
greatest of our time.

Rating: A

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