Published on Nov 2, 1997
Ambiguity is not always something that should be strived
for.
There is a certain lack of decision that can be heard on the
debut album from New York-based Savior Servant — whether to be a
balls-out metal band or to step back from the now-taboo genre and
work on crafting songs. And while there are moments on this album
that would justify the band going in either direction, I kind of
wish they had stuck with one vein on this outing.
Savior Servant starts off a bit slow with “Trippin’,” a song
which I just could not get into. But just one number later a sonic
barrage of guitar chords lets you know that you’re entering a new
zone on “Alleytown”; it is at times like this that Savior Servant
could be considered a metal band.
The problem is, they constantly straddle the fence between metal
and pop, as if they weren’t sure which way they should be going.
And while some of the softer numbers work (like the album’s closing
track “Stillborn”), others just fail to light a fire under the
listener (like “Inner Sage”).
But it is when you hear the intensity of the guitar riffs that
you know which direction this band should take. “Wimstis” captures
a ferociousness musically that other bands would kill to be able to
copy. In fact, the middle of
Savior Servant contains some of the band’s stronger moments;
“Reflections,” “In My Head” and “Tin Can Alley” all show the power
of this band very well.
Leonardo Cancela’s vocals seem to have a hint of frustration in
them at times, as if he wanted to burst forth and let loose. But I
almost think that it’s better that his vocals were more
constrained; all-out shouting would have taken away from the
moments of power that worked in the band’s favor. Guitarist Rob
DeFerge occasionally whips out some crunchy guitar riffs, but I
would have preferred to hear him take more of a chance on his axe
and fire off at least one killer solo.
In fact, had Savior Servant been willing to take more chances
and put a little more “oomph” into this album, I think it would
have been a stronger release. But the apparent unwillingness to
settle on just one style weakens the foundation a bit. Keep in
mind, though, that this is only a first effort; with a little more
experience will come the courage to follow convictions and take
chances.
Savior Servant should be a strong contender for your
entertainment dollar given a little more time together and
experience, both in the studio and on the road. This album shows a
little bit of that future — but it needs a coat of paint or
two.