Published on Dec 5, 2000
This is a great record! One of the 10 best of the year. Go buy
it — you won’t regret it. I can’t be any plainer than that.
Salvador is a five man, Latin-music influenced and infused, band
that is making the kind of music Burlap to Cashmere tried to make
before going belly up in the over-hyped Land of the Big Ego. Oh, I
suppose there was more going on than that and B2C was as much a
victim of other people’s high expectations as of anything else, but
Salvador is way ahead, both musically and lyrically, of
Is Anybody Out There?
Nick Gonzalez — a truly unique voice — fronts Salvador. He is
ably assisted by Josh Gonzalez on bass, Art Gonzalez on drums,
Eliot Torres, percussion, and Adrian Lopez, keyboards. In addition,
Sam Levine, Barry Green, Mike Haynes, and Steve Patrick provide the
brass that makes it all work like magic. Producers Monroe Jones and
Dan Posthuma brought it all together.
I was fortunate to see Salvador recently in concert with Third
Day and Kendall Payne at the Elco Theater in Elkhart, a tiny town
in northern Indiana. Salvador is an ideal opening act for Third Day
because they have a strong worship quotient in their music as well.
Gonzalez and company set the worship tone that Third Day, led by
worship leader Mac Powell, came out and built on. While
Salvador is not a worship album in the same way Third Day’s
Offerings is a worship album, the group’s intent and reason
for existence is to bring praise to God — which they do.
Salvador has 11 outstanding songs that move from celebratory
praise to introspective worship – and back again with ease. There
is not a weak song on the disc. If the songs “Lord I Come Before
You” and “David Danced” don’t get your heart pumping, physically
and spiritually, then you are already dead. But, the beautiful
ballad “Crucified” shows that the band can take it down a notch
without losing the intensity.
Written by David Mullen and Pete Kipley, “Crucified” talks about
being unashamed of Christ and his crucifixion:
Here in this moment, I choose to believe To call on the
invisible, as if it could be seen Here in this moment, I am
unafraid To take part in His suffering, and be called by Jesus’
name And I stand unashamed I know I’ve been crucified with Christ
With all my heart, my soul, my might I lift up my hands, lay down
my life I’m crucified with Christ
It’s all about a dedication to the cause of Christ – to be so
committed to pursuing Him that you become willing to suffer in His
name.
Salvador includes a fair amount of Spanish language — but
don’t let that put you off. The worshipful tone of the music and
the emotive singing of Nick Gonzalez communicate everything you
need to know.
Two of the Spanish language highlights include the songs
“Montana,” about having faith the size of a mustard seed and being
able to move mountains, and “Alabar Al Senor,” co-written with one
of CCM’s best writers Billy Sprague, which means “Praise the Lord”
in Spanish.
Another stunning ballad indicates that the Gaither legacy is far
from over. “Cry Holy,” penned by Bill Gaither’s son Benjy and
Marshall Hall, and featuring singers from First Church ECI, of
Muncie, Indiana, is the disc’s centerpiece.
With fuzzed guitars, some B3 organ, and naked emotion Gonzalez
and company call out to God – the God who rescued them from
sin:
The sin in my heart has kept me from You But, Father, your grace
is greater than sin Your mercy rains down and heals me again And
all I can do is fall down on my knees and cry holy
If Salvador can avoid the expectations/ego trap that seemed to
tear apart Burlap to Cashmere, they should have a long lasting
ministry to their listeners.