Published on Oct 28, 2003
I made the ultimate mistake when it came to
Rush In Rio, the fifth live release from Canadian hard
rockers Rush.
No, it wasn’t that I invested my own hard-earned money in this
set – the first, by the way, to break the band’s streak of “four
studio, one live” release pattern in their nearly 30-year history.
The mistake was that I also bought the DVD of this concert…
and watched most of it first.
Why would this be a mistake? Simple: anyone who has seen Rush
perform knows that visuals are an important part of their show. Add
into this the sheer magic of watching Neil Peart display absolute
mastery of the drum kit, or the tight-yet-frantic bass work of
Geddy Lee, and you have a concert experience you’re not soon going
to forget.
The live CDs from this concert – if I read right, the first that
Rush ever played in Rio – do capture the power of this show well
enough, yet without simple things like the occasional between-song
banter or even seeing the three clothes dryers constantly tumbling
throughout the show, this set feels a tad – well, rushed. (By the
way, what was with the clothes dryers on this tour? Any
significance to them, or was it simply Rush being charmingly goofy?
Any insight – especially from any member of the band, on the
off-chance they’re reading this – would be appreciated. And, while
we’re at it, how’s about a DVD at some point of all the animations
the band has featured over various tours?)
The show itself – the final one of the tour, as explained by
Peart in the liner notes – is a very nice balance of old and new,
touching on most of Rush’s vast discography. While I have yet to
warm up to any of the tracks culled from
Vapor Trails (indeed, I still have to listen to that whole
album), I will admit that “Earthshine” is charming in its own way,
while “Ghost Rider” proves to be a hidden gem. That said, I still
have not warmed up to “One Little Victory” – and I guess we’ll
leave it at that. The fact that this disc sounds so good even
though there was no soundcheck for the band and their crew was
setting up gear up to the moment of performance is a statement in
and of itself.
But where
Rush In Rio shines in terms of musicianship, it slips in
terms of sheer power potential. By cutting out some of Lee’s
interaction with the crowd, some things are lost in the translation
from actual concert to plastic disc – unless, of course, you’ve
read Peart’s liner notes. Without either of these, you may not
understand the importance of the inclusion of “Closer To The Heart”
in this particular show, or just what guitarist Alex Lifeson is
rambling on about during “La Villa Strangiato”. And, as mentioned
before, it’s one thing to hear Peart’s mastery of the drum kit on
“O Baterista”; it’s another thing to actually see him in action.
(After watching the DVD, I again have confirmation that Peart is an
absolute genius, and quite possibly the greatest living drummer in
all of music.)
If you invested in
Different Stages, the last live album from Rush, a few years
ago, you may wonder why you should even bother with
Rush In Rio, with the exception of getting live versions of
a few tracks from
Vapor Trails. Comparatively, this package has a better vibe
to it – possibly due to the re-energizing of the band since 1996.
(It’s a shame it took the double-barrel shot of tragedies that
Peart faced to bring the band to this point.) If you have the
option of buying the DVD or the CD set, I’d honestly go with the
DVD, even though you’ll lose out on the two “bootleg” tracks added
on to the third CD as a bonus. (The live version of “Vital Signs,”
by the way, is outstanding.) If you don’t have a DVD player, the CD
will do you just fine.
Then again, this is Rush we’re talking about. Splurge. Buy both.
Have a mini Carnival in your living room… ’cause who knows
if this is the last party that Rush is going to give.