Published on May 9, 1999
Anyone who has read these reviews with any regularity knows I’ve
often talked about the “sophomore slump”, that letdown that one
feels when listening to an artist’s second release. Often, it just
doesn’t live up to the expectations that one walked away with
following the debut effort.
Well, we’re not gonna talk about that today. Instead, we’re
going to talk about an album that actually improved on the first
effort – namely,
Rio Grande Mud, the 1972 release from ZZ Top.
Their first effort,
ZZ Top’s First Album, had a very lazy feeling to it, and
while it stayed very close to the blues roots that Billy Gibbons,
Dusty Hill and Frank Beard have always promoted, it sounded like
only half the effort that could have been applied was used in the
studio. Just one album later, that all changed.
From the opening track, “Francine,” ZZ Top come out swinging,
but now with a little more of a pop rock sensibility intermixed
with the blues heart of the music. This track and the following
one, “Just Got Paid,” showed how much ZZ Top grew as songwriters
and as musicians in less than two years. (If you discovered
The Best Of ZZ Top not long after the
Eliminator craze, no doubt these are tracks you immediately
fell for.)
But don’t think that ZZ Top abandoned its blues roots. Tracks
like “Mushmouth Shoutin'” and “Apologies To Pearly” show that they
still worshipped the 12-bar style they were born with – only the
delivery is much more lively. Gibbons shows how talented of a
guitar player he is, whipping off lick after lick that are
guaranteed to make your mouth water. (If the band happens to be
reading, insert your own barbeque reference here.)
ZZ Top also show they know how to lay a slow groove down and
lock the listener in for the duration, as demonstrated on “Sure Got
Cold After The Rain Fell”. Almost ballad-like in tempo, Gibbons,
Hill and Beard show the musical tightness of the band through the
progressive build of the song.
There are still a few minor weak points on
Rio Grande Mud – “Chevrolet” and “Down Brownie” are not as
strong as other tracks on the album – but this is still a major
improvement over
ZZ Top’s First Album – and that wasn’t wretched by any
means. (I have this album – along with five others – on
The ZZ Top Sixpack; the first two albums happen to be
combined on the first CD. If you listen to the whole disc in one
sitting, you can hear the break in the two albums without even
consulting the track listing; the style shift is clear.)
Rio Grande Mud was the first album that really showed ZZ
Top’s commercial potential, but their greatest triumph – at least
for the first half of their career – was yet to come.