Published on Apr 19, 1998
There’s been a commercial on American television recently,
though I can’t remember for whom. It features a portion of a song
that was a hit in the ’80s, then it stops and a caption appears:
“Admit it – you were still singing,” or something to that
effect.
I don’t know how many people would admit it, but one song I
remember well from 1983 was “The Safety Dance”. WBBM-FM (back in
the days when they didn’t suck) played it incessantly – and though
I hated it at first, it eventually grew on me. I ended up buying
the full-length album,
Rhythm Of Youth from Men Without Hats, listened to it a few
times – and then lost the tape.
About three years ago, I was helping my parents clean their
garage (a job we still need to finish), when I rediscovered this
tape – and I was thrilled. That evening, I rediscovered my
long-lost treasure, and it made me wonder why the name of Ivan
Doroschuk didn’t become more famous in America.
Maybe it was their roots – this was a band not ashamed to flaunt
their Canadian heritage, even singing songs in French. (The example
on this tape is “Cocoricci (Les Tango Des Voleurs)”.) Maybe it was
the weirdness of the video for “The Safety Dance” – not many videos
featured a pretty girl and a mandolin-strumming midget prancing
around a field. Maybe – just maybe – we weren’t ready for Men
Without Hats in America, as we were still trying to decide what to
do about Men At Work.
Damn shame – ’cause Doroschuk and his brother Stefan, the two
core members of an ever-changing lineup – put out a rather
enjoyable album of electronic music. Just as much rock as dance,
Rhythm Of Youth is one example of where the ’80s – God help
me – went right.
“The Safety Dance,” obviously, is the highlighted piece on the
album – coming in the extended “dance” version and the single
version. It still is fun to listen to, even to bop around the
apartment to when no one’s lookin’. I seem to remember that “I
Like,” the opener of side two, had a video shot for it – and I
swear I saw it once. It was a logical choice for a follow-up
single, and why it didn’t reach the upper half of the charts I
can’t explain.
Even if these were the only two decent songs on
Rhythm Of Youth, it would be worth picking up. But hold on
there, Lumpy, ’cause there’s more. “The Great Ones Remember” is a
surprisingly powerful song that features Ivan Doroschuk’s vocals
going from a booming roar to a subdued whisper in an instant.
LIkewise, “Things In My Life” is a track that I could have seen
being shipped to radio – danceable, yet with lyrics that were
somewhat intelligent.
If you were smart enough to buy the tape instead of the vinyl,
you got two bonus tracks – the single version of “The Safety
Dance,” as well as “Living In China”. Just a question – why didn’t
the latter make it onto the vinyl? It’s both an irreverent and an
insightful look at the country from the perspective of a world
resident in the heart of the Cold War (not to mention only being
six years removed from the death of Mao, instead of 22 today).
My liking this album is sure to shock those who claim that I’m
anti-pop. Well, maybe – but Men Without Hats were doing something
right on this album. They combined good songwriting with addictive
melodies and lyrics that made you listen to them – and if it
happened to be poppy, that’s just too damn bad.
I read on one of the newsgroups that
Rhythm Of Youth had been re-released overseas as a two-for-1
package with the followup album
Folk Of The ’80s (Part III) – this is an album that has yet
to see the miracle of CD technology in this country. With the
constant interest in all things ’80s, maybe VH-1 could lay off the
Michael Jackson jerk-off film festivals and try to give this band
the recognition they’ve waited 15 years for.
Go ahead, pick up
Rhythm Of Youth, and slam into a brick wall while doing “The
Safety Dance”. A little pop never killed anyone.