Published on Oct 20, 2003
A confession: I don’t like reviewing religious music. Even when
I was a practicing Catholic, I didn’t like much religious music,
because I found it to be too preachy. (I did, however, make an
exception for Stryper in my headbanging days; that’s a group we
need to dust off for review someday. So it might not be surprising
that I’ve been sitting on a disc like
Reggae Redemption Songs for over a year, delaying listening
to it as long as I could. But the longer I delayed, the more I had
to explain to myself that reggae, at its core, was pretty much a
religious form of music, even if it was celebrating Rastifarianism
and not Christianity.
The collection of artists who bang out these 17 songs are indeed
able to strike a solid balance between their strong religious views
and keeping a secular side of musical entertainment open to the
listener. Yet no matter how good the performance might be, this
disc remains one that is tough to get through in one sitting.
What is interesting is that I can’t quite pin down why this is
the case. It certainly is not the fault of the musicians here;
artists like Neil Evans, Felicia Marion, Ben Okafor and Christifari
(featuring Geneman) all show that the sphere of reggae music didn’t
stop in 1981 with Bob Marley’s death. (Maybe this was a second
reason I held off on reviewing this disc; I freely admit there is a
lot about reggae I don’t know.)
Maybe what makes
Reggae Redemption Songs a little tough to swallow in one
gulp is that there isn’t a lot of flexibility with the music.
Tempo-wise, it often feels like each song could easily blend into
the next. After a while, listening to the disc almost feels like
running a marathon. I really can’t see blaming the artists; rather,
the compilation producers could have done a little more to inject
some life into this set as it was needed.
If anything, the strength of
Reggae Redemption Songs might well lie in individual
performances. If you take this CD one song at a time, then works
like those of Okafor (“Man Of Sorrows,” “Wise Ones”), Heaven Bound
(“Fisherman”), Evans (“Not My Desire”) and Marion (“The Rock,”
“Drink”) showcase the power that reggae music really has, and how
it can win over even the most stubborn ears.
To everyone’s credit, the religious messages of these songs
rarely, if ever, gets to the point of being a miniature sermon. It
is only in the liner notes when it goes into overkill mode – but,
in a sense, I can’t fault them for doing even this. After all,
chances are you’re not picking this one up simply because the store
was out of Slayer CDs.
The only times where this disc became a little hard to bear
(besides having to take the occasional break to re-charge my
musical batteries) were the two “dub” tracks – and even there,
Heaven Bound’s disc-closer “Dub Sur Mer” was somewhat interesting.
This was what a good dub track could do: lay out the groove, and
get out of the way before its welcome was worn out. If only the
same could have been said for Solomon Jabby’s “Iesous Dub
International”.
Reggae Redemption Songs is a surprisingly good compilation
disc which should introduce many people to some reggae artists who
are deserving of the attention. The fact that they are using music
to preach the word of God almost becomes second in command with
this group – and that, quite frankly, works to their favor.