Published on Jan 30, 2003
The first time I looked at this CD, I said to myself, “The
rainstick as a lead instrument..
Right…”
But that is precisely what Japanese artist Tomoko and her
husband, flutist/keyboardist Nikkos, try to do on
Rainstick, a collection of new age pieces that try to
capture the essence of nature through sparsely arranged music.
The only thing that will be captured is by the listener – and
that’s a good nap.
Rainstick proves not only that the rainstick is not a lead
instrument, but that sometimes a minimalist approach to
instrumentation is a poor choice.
Now, I have experience with the rainstick. I’ve played in church
groups where it was used on occasion in hymns. I’ve even picked the
thing up myself and made the pebbles inside fall, creating the
sound of rain. It’s an incredibly easy percussion instrument to
play.
But that’s all it is – a percussion instrument. And while I
don’t pretend to have a full grasp on the world music scene, I do
know that hearing Tomoko’s constant barrage of turning and shaking
the rainstick made me want to claw my eyes out. An occasional turn
is fine; 40 minutes of this has to be outlawed somewhere in the
Geneva Convention.
There’s a reason all these tracks run together with no
interruption – they all sound exactly the same. At times, I found
myself wondering if Tomoko and Nikkos were actually just performing
spontaneously, and they later chose to break this album up into
tracks.
Ironically, it’s on the last track, “Full Story,” when
keyboards, bass and drums are introduced into the mix, and things
actually start to show promise. Regrettably, I had to sit through
about 36 minutes of mind-numbing music to get to one good track –
and frankly, it’s not worth the investment of time.
If Tomoko and Nikkos wanted to do an album filled with songs
like “Full Story,” I’d probably be willing to spend an hour
listening to it and giving it a fair shake. (Whoops – bad choice of
words for a review like this.) But
Rainstick is the kind of disc that makes you wish not
everyone had access to recording equipment. Until the time when I
hear a good solo on the maracas, I’m not convinced that simple
percussion instruments should move from the background.
Nice try, Tomoko. May your rainstick be infested with
termites.