Published on Sep 10, 2004
Out of all the years of metal supremacy in the 80s, it was ’83
that really sticks out for me. There was a slough of exceptional
albums released by debuting artists, or veterans of the genre.
Standing head and shoulders above all albums from that year though,
it Maiden’s fourth release. While
Number of the Beast is likely their most popular recording,
it was merely setting the stage for this work of art.
Piece of Mind would be the album that finally snapped the
Maiden Curse. After drummer Clive Burr left, he was replaced by the
eccentric, yet marvellous Nicko “Mad” McBrain. This lineup of Dave
Murray and Adrian Smith on guitars, Steve Harris on bass, Nicko on
drums, and Bruce Dickinson manning the vocals would last for four
albums spanning four years.
The record starts off with the horribly underrated gem”Where
Eagles Dare.” The drums pound with the relentlessness of a machine
gun, the guitar riffs are fresh and brilliant, and the Air Raid
Siren once again proves why he’s the greatest singer on the planet.
It is easily one of the better war songs that Maiden has
written.
However, it is overshadowed by the next track, my favourite Iron
Maiden song of all-time, and arguably one of the greatest songs
that the world has ever known. I am, of course, talking about
“Revelations.” From the opening verse, a hymnal by G.K. Chesterson,
to the final lines of “It is you / Oh-oh / It is you,” the track
never lets up. Harris’ bass is at its finest form, churning out
some of the greatest rhythms that he and McBrain would ever come up
with. Murray and Smith’s dual guitar attack is melodious and
crushing simultaneously. Bruce hits the high notes and the low
notes effortlessly, contributing all the more to the song’s sheer
magnificence. I’ll just point out now that everything I said in
this paragraph was a gross understatement.
Two of the band’s more well-known anthems, “Flight of Icarus”
and “The Trooper” are on this disc. The former is a slow-paced,
epic song that’s only flaw is its lack of length. The latter is one
of Maiden’s better songs, with one of the most memorable riffs
ever. It never lets up with its galloping pace (which is
appropriate, seeing as how it’s about a British cavalry charge
against a Russian defence in the Crimean War). It is (rightfully) a
standard at every Iron Maiden concert.
The second half of the album is slightly weaker than the first,
but there are some majestic tracks. The main one being “To Tame a
Land,” a towering epic of a song about Frank Herbert’s novel
Dune. With it’s constant shifts in the music, and an
instrumental section better than — yes, I’m saying it — “Phantom
of the Opera,” it leaves me wondering why they never play this live
any more.
In fact, after listening to this record several dozen times, the
only sub-par track is “Sun and Steel,” that I just can’t groove to
at all. It’s too upbeat and happy, and kind of kills the mood of
the whole album.
For many millions of fans of the band, this is the record to
have. While I enjoy
Somewhere in Time a little more, I cannot deny that
Piece of Mind is one of the defining moments of metal. Every
self-respecting metalhead should own two copies of this (one to
listen to, one to worship in a shrine), and I suggest that anyone
looking to give this band a try start with this one.