Published on Jul 24, 1998
Experimental music – or, at least, music that is classified as
one particular genre and doesn’t quite fit into it – is always very
hard to adjust to. It took me a long time to learn to appreciate
King Crimson – I couldn’t do so when I was younger, but as I’ve
gotten older, I’ve found the pleasure in their music.
Canada’s Voivod is another case of experimental music – if
anything, you could call them the heavy metal version of King
Crimson. And while there are some moments on their latest release
Phobos that demonstrate why this band has lasted for well
over a decade, it is often hard to get through in one listen.
The band – bassist/vocalist Eric Forrest, guitarist Dennis
D’Amour and drummer Michel Langevin – have best been known as a
thrash metal band, but their music has always had quite a bit of
experimental aspects to it. While the biggest experiment I heard in
the music – metal meets industrial – might not be considered
groundbreaking, throw in a touch of ambient noise – ah, now, we’re
onto something!
Too bad it doesn’t work out perfectly on paper – oops, CD. Some
songs like “Quantum,” “Forlorn” and “Neutrino,” just don’t take off
like Voivod would have liked them to. In fact, by the time you get
to the midpoint of
Phobos, it becomes rather difficult to listen to. (To be
honest, I had a hard time getting through Voivod in the late ’80s
when they were the next big name to break, but this is a better
sounding product than some of the older material.)
Ironically, where
Phobos falls is also where it succeeds. Songs like “The
Tower” kick in the right amount of industrial into the mix, making
the song quite enjoyable. Likewise, the title track, “Bacteria” and
“Mercury” are more listenable than some of their album cohorts.
One song, “M-Body,” might succeed thanks to a collaborator on
the tune – a bassist named Jason Newsted. Perhaps you’ve heard of
him, and the little band he’s with called Metallica? Surprisingly,
whatever hand Newsted had in this song, it still sounds like
vintage Voivod – and this, eventually, is a very good thing.
The experimental circle comes to fruition with their cover of
King Crimson’s “21st Century Schizoid Man,” a cover which is not
only close to the bone, but is executed damned well. You can tell
the difference between the two versions (King Crimson’s is a tad
jazzier sounding), but Robert Fripp should look upon this version
with great respect.
Overall,
Phobos is an album that’s for the diehard Voivod fans. If
you’ve only heard a little Voivod, this will still be an
entertaining listen, if not a tad challenging. For the newcomer,
it’s just as good a spot to start in the Voivod catalog as any –
but expect to give this disc at least five listens before you
really get into it.