Published on Sep 2, 2003
The Super Furry Animals were a band that I previously
overlooked. While perusing a review compilation site, I noticed a
recently released and highly rated CD by the above-mentioned. With
Phantom Power, they garnered an average score that exceeded
the minimum standard of that site’s highest possible rating.
Considering that put them in rarified air, I definitely felt
obligated to hear what compelled the collective praise.
Immediately after clicking out of that page, I researched
various sites for THE word on Super Furry Animals. Prior to 1996’s
Fuzzy Logic, this Welsh band only performed in their native
tongue. Gruff Rhys (lead vocals, guitar), Dafydd Ieuan (Drums,
percussion, vocals), Cian Ciaran (keyboards, electronics), Guto
Pryce (bass) and Huw Bunford (guitar, petal steel and vocals) are
the Super Furry Animals. Indie pop, neo-psychedelia, Britpop and
alternative pop/rock highlighted their affected genres and Super
Furry Animals’ attributed tones consisted of being gleeful,
boisterous, playful, trippy and quirky.
Since these qualities perforated each punch hole in my mental
checklist, I had a giddy immediate reaction. Light-headed from the
anticipation of
Phantom Power, I hopped in the family Lear jet in order to
immediately purchase the CD.
While cruising around the world to find a record store with a
suitable landing strip, I could not keep my mind off the majestic
qualities of the album title. Unfortunately, the hunt was turning
out to be a lost cause, since the gas prices were killing me.
Therefore, I took full advantage of my village’s transit and
hitched a bus to the nearest record store.
After finally finding the CD, I maniacally tore off the wrap and
positioned it into my player. Luckily, management decided against
holding me hostage because the case’s bar code was still
recognizable and the purchase was made. After listening for a
couple of minutes, I was alarmed to find how remarkably similar
Gruff’s voice was to Blur’s lead singer, Damon Albarn. Although
Gruff’s is slightly affected with a Welsh accent, they are nearly
identical. In fact, the record played like a Blur record heavily
influenced by the Flaming Lips. Nevertheless, even more sonic
benefits evolved after repeated scrutiny.
Each track featured an obscure adventure. Pedal steel guitar was
played to magnificent effect on “Hello Sunshine,” “Sex, War and
Robots” and “Bleed Forever.” Those songs were also accentuated with
a hazy sonic treatment that bled creative brilliance. The
progressive Brit-pop/blues rock hybrid “Golden Retriever” caught me
immediately with its inventive quality and evident catchiness.
Other tracks that I would consider rapid favorites are the reverbed
“Out of Control,” a technologically updated early Elvis-Costello
sound alike, “The Undefeated” and the pop confection of “Liberty
Belle.”
Although the awesome production of Mario Caldato Jr. and Super
Furry Animal’s cunning arrangements kept
Phantom Power in heavy rotation on my play list, the lyrics
tripped me. For example:
“I’m a minger You’re a minger too So come on minger I want to
ming with you” — from “Hello Sunshine”
What reads like Welsh slang left me generally disinterested as
to their (and its) intent. When slang was not used, the titles were
soaked in symbolism, ranging from the obvious Syd Barrett-inspired
to lines so symbolic that they would have made Nostradamus
squeamish. Mico’s dismay is short-lived because there are so many
positive elements that the actual words slip into the periphery of
its mise-en-scene (or overall applied setting).
Phantom Power boasts dynamic pop with the above-referenced
lyrics preventing it from being a classic-worthy album. Leave your
jet at home, but if you want to hear music that is inspired and
titillating, enrich yourself with
Phantom Power.