Published on Dec 19, 2003
It’s been six years since pianist Jim Brickman released his
first Christmas album
The Gift – not a surprising thing, since he probably knew it
was going to take a Herculean effort to top one of his best albums
ever.
With
Peace, he does just that. In the time between the two
albums, Brickman has cemented his reputation in the music world and
finely honed his skills on the keys. He’s also become recognized
both as a songwriter and as a performer, with several of his songs
becoming adult contemporary hits. Add these improvements together
with the magical feeling he brings to the holidays, and
Peace turns out to be an excellent album – quite possibly
Brickman’s best effort yet.
Peace is a culmination of the work that Brickman has been
doing to further his career. While there are more than ample
showcases for just solo piano (“We Three Kings” – with a nice spash
of “Carol Of The Bells” added in, “Early Snowfall”), Brickman all
but shatters the New Age label that was thrust upon his music. On
one side, there’s the smokey jazz-club feel of “Let It Snow,” with
vocals courtesy of the Blind Boys of Alabama – and, frankly, it’s a
collaboration that is intensely powerful. On the other side,
there’s the ethereal “Rejoice (O Come, Emmanuel),” which would not
sound out of place in a church setting. In between, there’s the
family-friendly adult-contemporary style which has made Brickman
famous, from the powerful “Do You Hear What I Hear” (which
showcases violinist Tracy Silverman a little more than vocalist
Anne Cochran – and I don’t mean that as a slight in any manner) to
the proper-for-the-moment “Sending You A Little Christmas,”
featuring Christian artist Kristy Starling on vocals. (With the
world situation right now, this song is sure to bring tears to more
than a few eyes – even though, when we spoke, Brickman told me that
wasn’t the focus when the song was written.)
It almost seems a little anti-climactic that
Peace doesn’t end with “Sending You A Little Christmas” –
and that’s not meant to slight the instrumental “Blessings” or the
title track (which reunites Brickman with country singer Collin
Raye, who sang on “The Gift”). In fact, both numbers are just as
powerful as any other on this disc – but somehow, it seems like the
case is overstated by tacking these on at the end. Still, it’s an
extremely minor quibble.
So what does
Peace mean for Brickman? Besides furthering to solidify his
reputation as one of the nation’s leading performers and helping to
establish him as an Artist – not merely as a New Age artist – this
disc symbolizes something which is rare in this day and age.
Brickman has created a holiday disc which could well become a
standard for the season, much like Johnny Mathis and the Harry
Simeone Chorale managed to do.
Peace is the kind of disc that you’ll pull out year after
year – that is, assuming you can stop listening to it as you’re
packing up the tree in January. (Yes, kids, this one is good enough
to listen to throughout the year without feeling out of place.)
Brickman knew he had work to do in order to top
The Gift.
Peace proves that he did his homework, and the results are
ours to enjoy.