Published on Dec 29, 2000
I remember being absolutely astonished the first time that I
heard the Canadian metal quartet Kittie. Not because they were
young women playing intense music so well, but because they had
such power in their debut release
Spit that one normally doesn’t find in such an early effort
from any band. Thanks to this album and relentless touring, Kittie
could well be called one of the best new groups of 2000.
But sometimes, it feels like forces – bands, labels, outside
interests – want to capitalize on such new-found fame, and it’s
rare if they ever do the job right.
Paperdoll EP is, sadly, not one of those rarities. It has
the feel of being rushed, and in effect takes away from some of
Kittie’s power.
The remix of the title track – well, let’s face it, it was a
good song to begin with. I didn’t drag out my copy of
Spit to compare the two versions, but there’s nothing on the
remix that would make me speak evil against either version of this
track.
The bulk of
Paperdoll EP was recorded live in Sweden – and therein lies
the biggest problem with this disc. Frankly, the live renditions of
these five tracks don’t do the originals any justice. Part of the
problem is a muddied sound – one wonders why this particular show
was chosen, when Kittie has been part of so many powerful tours in
the past year or so.
But a bigger part of the problem is that Kittie sometimes seems
like they can’t deliver the goods live the same way they do on
record. Take the song “Brackish,” for example –
far less powerful than the version on
Spit. The original was a track which would make you stand up
at attention and salute the musical powers of these young ladies.
This live version doesn’t even come close to matching up.
There are times when it seems like Kittie is just interested in
making semi-musical noise (“Raven”), and other times when they’re
just as happy obscenely taunting the audience. For the listener,
it’s just not as enjoyable as you’d like it to be – or as it
probably could have been.
The disc does include a new video, this time for “Charlotte” –
though I can’t say I totally understood the premise. (I never got
into art films that much – meaning I’ve all but ignored the video
output of R.E.M.)
Paperdoll EP is a toss-away release, meant to tide the fans
over until the next full-length effort from Kittie hits the
shelves. One hopes it will be on the same level as
Spit, and not as half-hearted as this one is.