Published on Jul 24, 1999
To call
Off The Wall Michael Jackson’s solo debut would be
incorrect; most people know he had solo albums on Motown in the
’70s, long before this disc came out in 1979. And to call it his
official break for Motown would be incorrect as well; he had been
recording with his brothers as The Jacksons on Epic for a few
years. (The band was coming off their biggest hit to date, “Shake
Your Body (Down To The Ground)”, shortly before
Off The Wall was released.)
What this album is, in fact, is Jackson’s declaration of
independence. Never mind the fact he would record a few more albums
with his brothers; this was the coming out party for Jackson the
adult singer. And while the dance motif of this disc is a bit
dated, the singles this album is noted for are still as fresh today
as they were 20 years ago.
I remember this album mostly for the video for the opening
track, “Don’t Stop ‘Til You Get Enough”. When I was a teenager, one
of the UHF stations in Chicago started playing this video during
the whole
Thriller craze, as if they had a world exclusive on their
hands. Of course, they didn’t, but it was still exciting to see and
hear this song that I wasn’t familiar with at the time. And I have
to admit, this track is still very much a guilty pleasure for me. I
know it doesn’t have a lot of substance, and the falsetto vocals
can get on one’s nerves, but I just
like the song.
Off The Wall had three other notable singles. “Rock With
You” is probably the best-known of them, a solid effort that is the
best song on the album. Jackson and his backing band lay down a
slightly funky groove that is instantly addictive, and might cause
spontaneous dancing in the living room when it blares out of your
speakers. Immediately following is a faster-paced, funkier number,
“Working Day And Night”. This one, again, doesn’t have too much
substance, but is kind of fun to listen to.
Jackson dips into ballad territory with the three-tissue
tear-jerker “She’s Out Of My Life,” the tragic tale of how one
man’s uncertainty of entering into a commitment costs him the woman
of his dreams. It almost sounds at the end like Jackson himself is
getting choked up from the tale – possibly suggesting that this
could be autobiographical?
The one thing that strikes me about
Off The Wall is that some of its aims are incredibly dated.
Not that Jackson was trying to be a disco artist, but songs like
“Get On The Floor” and “Burn This Disco Out” have their feet
planted way too firmly in the musical past. I’ve heard worse,
admittedly, but these are two cuts that have not aged very
gracefully.
And while there are some interesting cuts that didn’t get a lot
of media attention like “It’s The Falling In Love” (I know someone
else did that song, but I was too lazy to look it up prior to
writing this review) and the Paul McCartney-penned “Girlfriend,”
there are other tracks like “I Can’t Help It” and the title cut
that just don’t impress that much.
You have to admit, though, for an album like
Off The Wall to still have moments that sound fresh 20 years
after its release is a rare thing. But this was not to be the
musical path that Jackson would follow; he was just a few years
away from creating an album that would forever change the face of
popular music… but that’s another story for another day.