Published on Apr 11, 1997
Southern boogie-rock band Lynyrd Skynyrd has gone from one of
the leading bands of its genre to a band remembered for one or two
songs that are played to death on classic rock radio. What people
have forgotten is that this band was more than “Sweet Home Alabama”
and “What’s Your Name,” they were a band that successfully merged
country and rock, and were poised on the verge of superstardom
before that fateful day in 1977 when their charter plane went down,
killing vocalist Ronnie Van Zant and guitarist Steve Gaines.
Back in 1975, Lynyrd Skynyrd was trying to deal with both the
stardom that “Sweet Home Alabama” brought and the departure of
original drummer Bob Burns. Adding Artimus Pyle into the mix, they
cut probably their most overlooked work,
Nuthin’ Fancy, which has lost little of its luster in 22
years.
The opening cut, “Saturday Night Special,” revives the
moral-based songs the band had done on occasion (“The Needle And
The Spoon”). A powerful rocker, Van Zant and crew take a stand
against handguns, especially the type the song was named after. The
triple-guitar team of Ed King, Gary Rossington and Allen Collins is
as powerful as ever on this one.
But Lynyrd Skynyrd dare to explore different mixes of rock and
country on
Nuthin’ Fancy, leaning more towards the country/folk side of
their roots. “Railroad Song” has a touch amongst the electric
guitar work, and Pyle’s drumming is absolutely incredible. The song
is an enjoyable epic of life riding the rails – by choice, no less
– and experiencing the joys and perils of hobo life along the way.
“Am I Losin'” sounds like it could have been written for Burns, an
acoustic song akin to the Marshall Tucker Band about the loss of a
friendship. (The only negative on this one is a rehash of the
guitar lick from “Sweet Home Alabama.”)
The return to roots is most evident on “Made In The Shade,”
featuring not electric guitars, but foot stomps, dobro, and a
down-home feel to the track that makes it pleasurable – even for
those who hate country music.
In fact, the country roots are so well explored on
Nuthin’ Fancy that the rockers suffer a bit. Sure, “Saturday
Night Special” is a great track, but “I’m A Country Boy” fails to
light the speakers on fire, while “Whiskey Rock-A-Roller” is an
improvement. “On The Hunt” could have been a great track, but it
lacks the Skynyrd magic that turned older songs like “Workin’ For
MCA”and “Call Me The Breeze” into classics.
That leaves us with one other song, “Cheatin’ Women,” which
again takes Lynyrd Skynyrd into a different musical vein – that of
pop. Billy Powell’s organ work adds an AOR flavor to the track,
while Van Zant drawls the magic into the song. Slow enough to be
dropped as a rock song, fast enough to not be classified as a
ballad, this may be the only real time Lynyrd Skynyrd delved into
the pop world – pity, for they captured the moment well.
Nuthin’ Fancy may not have the oversaturated radio tracks
the newer fans are looking for, but has something even more
important – substance, as well as a little attitude. The record’s
back cover used to feature a member of the band giving the finger
to the photographer as the band walked past – which captures the
spirit of Lynyrd Skynyrd perfectly.