Published on Nov 6, 2001
I hate Chris Thile.
No, not his music; as we’re about to see, Chris Thile has hit
yet another musical home run with his latest CD,
Not All Who Wander Are Lost. I hate him because he’s so
damned
good
.
I mean, come on. The guy’s not old enough to buy beer, and he
plays like this? This is the latest effort from a member of
bluegrass wunderkinder band Nickel Creek, and it’s a doozy. Thile’s
playing is stylish, lyrical, precise, and elegant; he’s a true
master of the mandolin. He also has some of the strongest
supporting players I’ve ever seen; Sean Watkins on guitar, Sara
Watkins on fiddle, Bela Fleck on banjo, and Jerry Douglas on dobro
is the kind of “backup band” that would make most bluegrass players
— not to mention fans — fall over in a dead faint. And did I
mention his producer is Alison Krauss?
So, in midst of all this glory, how does
Not All Who Wander Are Lost sound? Pretty damned good,
thanks. Thile calmly and elegantly turns out one of the strongest
CDs I’ve heard this year. From “Song For A Young Queen” through
“Riddles In The Dark” to “Laurie De’ Tullins”, this is simply a
brilliant piece of acoustic traditional work. It’s not all
bluegrass, by any stretch of the imagination; Thile wanders off in
flights of fantasy and genre with things like “Club G.R.O.S.S.”
with its lounge jazz saxophone and “Sinai To Canaan”‘s almost New
Age sounds. “You Deserve Flowers” is almost a straight contemporary
country instrumental, and “Big Sam Thompson” has an Applachian or
traditional feel to it, similar to Dolly Parton’s recent work.
Thile doesn’t neglect his roots, though; straight-ahead bluegrass
work like “Eureka!” and “Bridal Veil Falls” show he can handle the
standard forms of the genre just fine, thank you.
In short,
Not All Who Wander Are Lost is a great work. It cannot be
recommended enough.