Published on Jan 1, 2004
Here, O Ye DV Faithful, is a metaphysical question for your New
Year’s cogitating pleasure. Is it possible for an album to be more
than the sum of its parts? Is musical synergy possible?
Dan Fogleberg is another one of those artists that it’s
terminally unhip to like. However, we’ve already established I’m
terminally unhip, so I’m gonna go ahead and talk about him — and
frankly, there’s a lot to talk about. Fogleberg is one of the
greatest singer/songwriters to arise in the 1970s, and arguably the
best one still recording (given the untimely deaths of Harry
Chapin, Jim Croce, and Warren Zevon). Yet — critics sneer at his
work, for reasons I’m never quite sure of. Maybe it’s just that
damning to be from Peoria, IL. (I used to date a girl who lived in
East Peoria. Might be.)
All that aside, Fogelberg at his best is simply brilliant — and
his 1977 release,
Nether Lands, is when he hit his stride for the first
time.
For all that Fogelberg’s later recordings were hit single
factories, you’ve probably never heard of any of the tracks on
Nether Lands. There’s a very, very good reason for that;
while it’s not a concept album, it is definitely a piece of work
that should be listened to in one go. Thus, our metaphysical
question — musical synergy.
In the case of
Nether Lands, the answer is definitely yes; by itself, each
song is good, but taken in toto, they become more. The string
sweetening on “Nether Lands” sets off the jangly acoustic guitar on
“Once Upon A Time”, which contrasts in turn with the gentle and
bittersweet “Dancing Shoes” (which reminds me a bit of Styx’s
“Crystal Ball”) — in short,
Nether Lands is a work unto itself. And it is, plain and
simple, a lovely one; a perfect suite of California-tinged folk
rock that’s a joy to listen to. From the opening to the powerful
closing trio of “Scarecrow’s Dream”, “Sketches”, and “False Faces”,
you can’t help but feel the emotion and the heart behind these
songs.
Get a little retro in the New Year and take a trip back to
Nether Lands. You may find that your musical enjoyment is
more than the sum of its parts.