Published on Jun 8, 2004
It’s been a hard few years for France/U.S. relations. Even at
the height of the absurd backlash against the French, I couldn’t,
wouldn’t boycott products from our smug, elitist big brother
overseas. In general, they do have the finest wine in the world,
they have some of the best cooking techniques under their belts and
– heyah –
Moon Safari.
For those unfamiliar with Air, the French duo has been an
inspiration to director Sofia Coppola, who used Air’s music to
propel both
The Virgin Suicides and
Lost in Translation. Released in 1998,
Moon Safari is a perplexing listen. It’s definitely retro,
borrowing heavily from the dance hall/disco sounds of the late
’70s. There are parts of the album that would seem perfect
blanketing the dance floor at your coolest dance club. Other parts
of the album conjure images of elbowing up to the bar at a posh
hotel at around 2:30 in the morning and nursing a vodka tonic or
spending five uninterrupted hours sprawled out on a leather couch
at a non-gentrified coffee house, lost in a set of headphones.
That contrast is especially evident in the first four tracks.
The first track, “Femme d’Argent” takes its time to unfold. The
groove is stretched over a beautiful, ambient moan. Then, the album
takes a silly 180-degree turn with “Sexy Boy”; a
platform-boot-sized tongue-in-cheek club number that inexplicably
turned into a minor hit and likely cast Air as club music in many
unsuspecting listeners’ ears. However, one track later and you get
a devastating “All I Need,” with Beth Hirsh’s fragile voice
commanding your full attention to the point that you forget the
lyrics. But just when you think you’re ready to settle into a posh
couch and snuggle up with some herbal tea, you get “Kelly Watch The
Stars” in the next track, with its groove so bouncy, it sends you
back on your feet. If bipolar had a soundtrack in the late-90s,
this album would definitely fit the bill.
The album does find its groove toward the end, opting for more
chill-out than club-hopping. The last half of the album definitely
loses some steam, especially during “Talisman,” a song that despite
dozens of listens, still sounds like it be playing during a ‘boss’
stage in a video game. Still, Beth Hirsh returns to set
Moon Safari back on track with the chilling “You Make it
Easy” and “Voyage de Penelope” finishes off
Moon Safari nicely.
Moon Safari ranks with the Chemical Brother’s
Dig Your Own Hole, Massive Attack’s
Mezzanine, Portishead’s
Dummy and Tricky’s
Maxinquaye as definitive purchases for techno/electronica in
the ’90s. The album’s only major flaw is that its first four songs
are so jaw-droppingly amazing that it inevitably loses momentum.
Still, there are far worse sins an album can commit. A
near-masterpiece.