Published on Sep 3, 2003
In the world of music, there is a plethora of conflicting
opinions regarding the music of rap-metal band Linkin Park. With
the release of their debut CD
Hybrid Theory, they found almost immediate success among
rock and top-40 radio. After producing the best selling album of
2001, the guys from LP had their work cut out for them.
In March 2003, Linkin Park released
Meteora. While still adhering to the old LP habit of
white-boy rap set against electronic metal, their sophomore effort
displays more of LP’s heavy metal influences and explores more
diverse sounds, such as the use of Arabian-sounding wind
instruments on number 11, “Nobody’s Listening.” On 2001’s
Hybrid Theory, the songs, which were all written
collaboratively by the band, focused mostly on lead singer Chester
Bennington’s battles with alcohol and substance abuse. On
Meteora, the lyrics show a different approach, many of them
addressing the pressures of the band’s rapid fame.
Number 11 best expresses the tone of the album: “And everything
left’s a waste of time/ I hate my rhymes/ but hate everyone else’s
more/ I’m riding on the back of this pressure/ guessing that it’s
better/ I can’t keep myself together/ because all of this stress
gave me something to write on/ the pain gave me something I could
set my sights on/ never forget the blood sweat and tears/ the
uphill struggle over years/ the fear and trash talking/ and the
people it was to/ and the people that started it just like
you.”
The standout song and single of the CD is number 7, “Faint.” The
rapid, punching beat sounds the least polished and the strings
during the verses give the song an interesting twist that works so
well it’s scary. Emcee Mike Shinoda’s rapping and Chester
Bennington’s passionate screaming finish off a flawless track.
After three years of anticipating Linkin Park’s unveiling their
follow-up to
Hybrid Theory, I can say that it has been well worth the
wait.
Meteora is a beautiful album.