Published on Apr 1, 2002
With all of the flurry that has surrounded the re-releases – and
I mean all three sets of them – of Iron Maiden’s discography on CD,
one item has always escaped notice.
No, not
The Soundhouse Tapes – though I understand that you will be
able to get a CD of these songs by sending in proof-of-purchases
from the latest set of re-issues. (Memo to the band: How’s about
those of us who shelled out big bucks to buy any of the previous
reissues?)
Nope, I’m talking about
Maiden Japan, the 1981 mini-album that seemed to serve as a
stop-gap while Iron Maiden changed lead singers. What turned out to
be the swansong of Paul Di’Anno, this five-song album captures a
band who are growing tight as a unit, but whose material still
wasn’t the strongest.
It’s not totally the band’s fault – after all, to release any
type of a live document with a mere two albums under your belt is a
daunting task. And in terms of track selection, Iron Maiden do
pretty well by including “Wrathchild” and “Running Free,” the two
tracks which could be called their biggest hits up to that point.
And I do have to admit, including “Killers” was a good move, since
it’s such a solid version that it would definitely attract
listeners back to this cut on the
Killers album, if not the whole disc.
Regrettably, two slips are made on
Maiden Japan, one negotiable, one big. Let’s deal with the
latter first. For a band who has constantly been known for the
energy of their performances, including the tracks “Remember
Tomorrow” and “Innocent Exile” seems to be a questionable move.
“Remember Tomorrow,” with its beginning that sounds like the
mid-section of “Rime Of The Ancient Mariner,” starts off far too
slow, and breaks the momentum that had been built with “Running
Free”. However, I will concede that the faster tempoed portion of
this song shows how much tighter of a musical outfit Iron Maiden
had become since their self-titled release in 1980.
Now, for the “nit-picking” point. I know and understand that
this was marketed as a “mini-LP”. But one wonders how many other
tracks from this particular show are just as energetic and would
have helped to flesh this out into a suitable release. Okay, that
seems to contradict the statement I made about the difficulty to do
a live disc after only two albums – but, c’mon. Who wouldn’t like
to hear early live versions of songs like “Prowler,” “Transylvania”
or “Charlotte The Harlot”? (As a matter of fact, a Digipak CD I saw
offered on eBay offered
Maiden Japan with 17 songs – though I can’t be certain if
this was a legitimate release. Anyone with information, please let
me know.)
Maiden Japan seems to be relegated to the status of being a
cult item, and one which you’ll really have to search for. It’s
most definitely a release for the die-hard fans of Iron Maiden’s
early days. If you’re of the mindframe that Iron Maiden really
began when Bruce Dickinson took over as lead throat, you may as
well stick with
Live After Death.