Published on Feb 10, 1997
How do you improve an album that wasn’t that good to begin
with?
In the case of
Live At Leeds, a 1970 effort from The Who, you take the
original six released songs and put on eight more tracks from the
same show. Did it work? The answer is an astounding “yes.”
Coming off the success of their rock opera
Tommy, Pete Townshend and crew were looking to make a live
album that would capture the band’s power. But when this album hit
the streets – packaged to look like a bootleg, the oomph just
wasn’t there.
Remastered a few years ago with the older tracks restored,
Live At Leeds now has the feel of a real Who concert,
capturing not only the power of the band, but also their humor as
well. The between-song banter adds to the feel of the show, making
you feel like you’re right there – without having to dodge
splinters from shattered guitars and drop-kicked drum kits.
Three of the songs from the original
Live At Leeds actually gain in power on this one – “Young
Man Blues,” “Summertime Blues” and “Shakin’ All Over.” Mixed in
with their brothers from the show, a combination of cover tunes and
Who originals, these tracks finally shine in the glory they were
meant to. Townshend’s playing is solid and incredible, and vocalist
Roger Daltrey has rarely sounded better in concert. Add to that the
speedfreak drumming of the sorely-missed Keith Moon and the always
incredible bass work of John Entwistle, and you have what is
probably the ultimate live Who album.
This is not to say there aren’t some rough bumps on the road. “I
Can’t Explain,” one of the band’s earliest hits and one of my
favorite tracks, shows it hadn’t aged very well. “My Generation,”
despite always being a showcase for the bass riffs of Entwistle,
seems to drag on a bit too long, just like on the original release.
And, “Magic Bus,” admittedly never one of my favorite Who tracks,
does not translate well in concert.
One of the stand-out tracks is the performance of “A Quick One
While He’s Away,” the predecessor to
Tommy. Rarely heard live, this performance shows it could be
one of the band’s most underrated works.
The glory days of The Who are long gone, but
Live At Leeds is a fitting, if not flawed, portrait of those
times where the band was at the top of their game. The restored
version outshines the original release, and is a worthwhile
addition to your library.