Published on Jan 10, 2001
Sonny Landreth is probably one of the best guitarists you’ve
never heard of. Born in Canton, Mississippi, within hailing
distance of the Mississippi bayous, Landreth has become both one of
the most sought after session guitarists of the last twenty years
and a unique solo voice. His past work includes work with artists
as widely varying as Clifton Chenier and John Hiatt, and his unique
style of fingering gives his playing a feel all its own.
Unfortunately, Landreth’s unique. So that means in this cookie
cutter era, he’s bounced around record labels, gone five or more
years between albums, and generally been overlooked. (I admit to
only having heard one of his songs before, a great rocker called
“Congo Square” on one of the few local stations worth listening to,
WTTS out of Bloomington.)
Which means, first off we issue serious kudos to traditional
music label Sugar Hill Records for putting out
Levee Town. (I’m growing to appreciate Sugar Hill. Between
Nickel Creek and Sonny Landreth, it’s been a good year.) Then we
realize
Levee Town is a damn tasty CD.
Why, you ask, oh faithful “Daily Vault” readers? Because it
rocks
, that’s why. Songs like “Levee Town”, “Broken Hearted Road”,
“Turning With The Century”, and “The U.S.S. Zydecoldsmobile” (great
title, that). The brass on “Angeline” is as bright and forward as a
topless girl on Bourbon Street during Mardi Gras, and instrumentals
like “Spider-Gris” and “Z. Rider” showcase Landreth’s monster
guitar playing.
This CD is a perfect harmony of blues, Cajun, zydeco, and rock,
striking a subtle balance between the musical forms. (Sorry for the
“Iron Chef” moment there; I taped the entire 24 hour marathon
yesterday.) In short, get this CD. Now. Sonny Landreth is one of
the more underappreciated artists out there, and in a world of
“rock stars” who are commercial creations or talentless punks, he’s
the real thing.