Published on Aug 1, 1997
For every band who has an original sound, I can name a dozen
others who gracefully mix their influences into their own
compositions – as well as hundreds of bands who rip their mentors
off blind.
The alternative quartet Tonic falls in the second group – their
influences are as varied as the songs on their debut disc
Lemon Parade – and while the disc has some excellent
moments, it may have been better to focus on one or two influences
instead of treating their first album like an encyclopedia.
The first single “Open Up Your Eyes” is a track that, quite
frankly, is like no other I’ve heard in some time. Immediately
catchy with a great riff-based chorus, vocalist/guitarist Emerson
Hart leads this band into some exciting, uncharted waters. The
guitar work of Hart and Jeff Russo, and the solid backbone of
bassist Dan Rothchild and drummer Kevin Shepard provide the
listener with one intense trip that ends way too soon.
The path continues with the second single, “If You Could Only
See,” a song which is both enchanting and entertaining. The vocal
harmonies this band produces are quite touching at times, and this
song is one I just don’t get tired of hearing on the radio.
If only the remainder of
Lemon Parade were like this. Once you get past the original
sounds, the influences sometimes become overpowering. At one time
or another, I heard The Beatles, Free, Led Zeppelin and October
Project (the last one on the track “Celtic Aggression,” one of the
best on the album) – and those are the ones I can remember throwing
this review together minutes before deadline. The uses of the
influences are not overbearing nor are they rip-offs (which is a
relief), but the album becomes mired down quickly, and it soon
becomes difficult to get through the CD in one sitting.
This is not an album you want to listen to when you’re in a foul
mood, the singles being notable exceptions. Maybe this was part of
the problem – I gave the album a final listen this evening, and my
mood could only be described as “pissed-off depressed.” When you’re
like this, songs like “My Old Man” become just a tad too dreary to
listen to. Others like the title track reveal themselves to be
quite beautiful, but they won’t help pick up your mood. (The title
track actually makes me think of Mrs. Thelen and her life before we
met.)
It’s not that Tonic didn’t try or failed. They are a very
talented band who know not only how to draw on their influences but
also how to write solid, interesting songs. They enlisted the help
of ace producer Jack Joseph Puig (who did wonders for the Black
Crowes on their criminally overlooked
Three Snakes And One Charm), though I’m not always convinced
he was the best choice for this band. They have fought the
difficult battle of getting on the airwaves, and they’ve had decent
success in that area.
If anything,
Lemon Parade may be a tad too serious. Sure, cuts like
“Mountain” and “Mr. Golden Deal” are good, but the band may need to
take a small step back and not dwell too much on the cerebral. (Not
that I want them to become as lightweight as New Kids On The block
– I don’t mind being challenged to think when I listen to an album,
but I don’t feel like taking the entrance exam for Mensa.)
Despite being a bit weighty,
Lemon Parade is a good effort from an exciting young band –
one who, I think still have their best moments ahead of them.