Published on Nov 3, 2004
There is an imminent danger when reviewing an album that not
only came out a year before you were born, but also has been
overplayed by rock radio to the point that you almost don’t even
need to pop the CD into the player to hear it.
Yet there is no denying that, no matter how many times radio
stations play the duet of “Heartbreaker” and “Livin’ Lovin’ Maid
(She’s Just A Woman)” into the ground, there is still something
special about
Led Zeppelin II, the follow-up release from the British
supergroup. It’s something to note when a group puts out a
sophomore release which outperforms a strong debut effort. It’s
another thing to realize that not only was this Zeppelin’s second
album released in 1969, it was recorded for the most part while the
band was on tour.
The radio standards are undoubtedly well-known to all but the
youngest readers. “Whole Lotta Love” is a five-minute explosion of
sound that dares to push the envelope in the middle with its sonic
collage. Likewise, “Heartbreaker” slices together two distinct
performances — listen to how Jimmy Page’s guitar break isn’t quite
in the same key – and makes it seem like this was the intention all
along. Whatever the case, it works… even if I do wish people
would stop pairing this together with “Livin’ Lovin’ Maid (She’s
Just A Woman).” It’s been 35 years now, people… these are
two unique tracks, and should finally be treated as such.
The most powerful performances on
Led Zeppelin II, however, are some which don’t get the most
airplay. “The Lemon Song” is a powerful blast of British blues
(even if some of the concepts were lifted from older, lesser-known
songs — something that Led Zeppelin eventually was called on the
carpet for) with just a hint of double entendre to keep things
fresh. The manic choruses played by Page, bassist John Paul Jones
and drummer John Bonham keep listeners on their toes. (This isn’t
meant to ignore vocalist Robert Plant, who shows up throughout the
disc in fine form.)
Likewise, “What Is And What Should Never Be” and “Bring It On
Home” both showcase a group which was already nearing the peak of
its craft and could consistently deliver the goods. “What Is And
What Should Never Be” is a personal favorite of mine, possibly
because it was the only guitar solo of Page’s I could actually play
(even if that last series of chords right at the end still confuses
me). And one has to admire that Led Zeppelin were ahead of the Lord
Of The Rings craze as heard on “Ramble On,” a song that is now
reaching the point of oversaturation on the radio.
Perhaps the best moment for me on this disc is the beautiful
“Thank You,” a song which shows both the gentler side of Led
Zeppelin (without sacrificing the power) and reaffirms Page’s
ability on the acoustic guitar (as used on his solo). It does kind
of surprise me that this song hasn’t become a standard at weddings
— the message of love in this one is quite powerful.
Led Zeppelin II may have had more radio success than its
predecessor, and for good reason. While their first disc remains a
classic, it was this second release that fully cemented Led
Zeppelin’s place in the eternal halls of rock music. And, as the
old saying goes, they were just getting warmed up.