Published on Apr 30, 1998
Back when Green Day’s
Dookie album was the next big thing that everyone was
talking about, people were fawning over this work and treating it
like it was the most exciting thing to happen to music since Jimi
Hendrix lit his guitar on fire. The thing is that many people
didn’t realize that Billie Joe Armstrong and crew had been doing
this for some time, and had two independent albums to their credit
– a fact that shocked some people when the song “2,000 Light Years
Away” made it onto
The Jerky Boys soundtrack.
Kerplunk, Green Day’s second album for Lookout!, a
California-based punk label, is a much rawer, unpolished (and
imperfect) version of Green Day, but it shows that their level of
intensity has been just as high – and, for that matter, so has
their songwriting and playing.
Recorded in 1991,
Kerplunk is a picture of a band gearing up for success. An
early version of their hit “Welcome To Paradise” is a prime
example. Lyrically, it’s the same as the hit version on
Dookie, though this version is much rawer and doesn’t
contain as many of the vocal harmonies. Still, listening to this
version provides the listener with an interesting insight to Green
Day; this is a band that knows they have something special, and are
ever so close to breaking into the mainstream.
But Green Day also shows they hadn’t abandoned their sense of
humor at all. A pseudo-country song, “Dominated Love Slave,” is
evidence of that – and is possibly the only Green Day song that
Mrs. Pierce can’t stomach. (I, on the other hand, find it
hilarious.) Likewise, a cover of The Who’s “My Generation”
(featuring Al Sobrante on drums – he plays on the final four tracks
of
Kerplunk) is treated both with reverence and their own brand
of disrespect.
Musically, Green Day was just about to reach their level of
excellence at their instruments. Bassist Mike Dirnt showed he could
whip out some frantic notes on his four-string, but he wasn’t quite
there yet. Drummer Tre Cool was there – and maybe a little better
of a production job would have helped his case. (Not that Andy
Ernst and the band did a terrible job, for it is quite listenable –
but it’s not as crisp as I would have liked it. Maybe a little more
bass?) Armstrong’s guitar playing is incredbily strong – his power
chords and occasional solos cut through the sound like a chainsaw
through a dead tree. I should note that the singing is also just an
inch below top-notch – this band’s vocal harmonies have always
impressed me.
The only tentative thing about Green Day’s playing at this point
was that it didn’t seem like they knew how to handle slower songs.
Every once in a while, their timing is thrown off just a hair,
though they always recover quite well. Listen to the space in
between the chorus and the second verse of “Christie Road” – the
drums are far too slow in this passage.
But in the end,
Kerplunk isn’t about vocal harmonies or keeping in
syncopation, it’s about speedfreak, head-smashing punk. Songs like
“One Of My Lies,” “Android” and “Who Wrote Holden Caulfield”
demonstrate the sheer power and energy that Green Day had, and
still have to this day. This was a band that showed their hunger
for success – and it paid off.
Kerplunk is definitely worth investing in, especially if you
are a big fan of
Dookie. If you’ve just gotten into Green Day on the strength
of the recent hit “Good Riddance (Time Of Your Life)”, I’d suggest
waiting until you really know what this band is about.